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Describing cinema
by
Corrigan, Timothy, 1951- author
in
Film criticism.
/ Motion pictures Philosophy.
/ Motion pictures Aesthetics.
/ Motion pictures Appreciation.
/ Critique cinématographique.
/ Cinéma Philosophie.
/ Cinéma Esthétique.
/ Cinéma Appréciation.
/ Film criticism
/ Motion pictures Aesthetics
/ Motion pictures Appreciation
/ Motion pictures Philosophy
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Describing cinema
by
Corrigan, Timothy, 1951- author
in
Film criticism.
/ Motion pictures Philosophy.
/ Motion pictures Aesthetics.
/ Motion pictures Appreciation.
/ Critique cinématographique.
/ Cinéma Philosophie.
/ Cinéma Esthétique.
/ Cinéma Appréciation.
/ Film criticism
/ Motion pictures Aesthetics
/ Motion pictures Appreciation
/ Motion pictures Philosophy
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Do you wish to request the book?
Describing cinema
by
Corrigan, Timothy, 1951- author
in
Film criticism.
/ Motion pictures Philosophy.
/ Motion pictures Aesthetics.
/ Motion pictures Appreciation.
/ Critique cinématographique.
/ Cinéma Philosophie.
/ Cinéma Esthétique.
/ Cinéma Appréciation.
/ Film criticism
/ Motion pictures Aesthetics
/ Motion pictures Appreciation
/ Motion pictures Philosophy
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Book
Describing cinema
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Overview
\"Describing Cinema is part theory, part rhetoric, and part pedagogy. It examines and demonstrates acts of describing scenes, shots, and sequences in films, as probably the most common and the most underestimated way viewers respond to movies. Practiced energetically and carefully, descriptions become exceptionally rich ways to demonstrate and celebrate the activities, varieties, and challenges of a central generative movement in the viewing and interpretation of films. My motto might be an inversion of one character's tongue-in-cheek remark in Jean-Luc Godard's First Name, Carmen (played by Godard himself), \"badly seen, badly said,\" rephrased for this project as \"badly said, badly seen.\" Here, that phrase becomes an indication how acts of describing films or parts of films can measure and instantiate complex ways of seeing that are partly about accuracy but also about the mobility of understanding and interpretation. At its best, describing films never simply denotes actions, images, sounds, or styles but rather produces the orchestration of one or more of those dimensions as an often creative and intersubjective movement between images, viewers, and a rhetorical language. Here, especially, writing about film becomes thinking about film. Part I provides a theoretical basis for this argument. Part II features sixteen short essays from landmarks of post-war cinema that demonstrate the energy and movement of precise descriptions\"-- Provided by publisher.
Publisher
Oxford University Press
ISBN
9780197625354, 0197625355, 9780197625361, 0197625363
Item info:
1
item available
1
item total in all locations
| Call Number | Copies | Material | Location |
|---|---|---|---|
| PN1995 .C654 2024 | 1 | BOOK | AUTOSTORE |
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