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"Beumers, Birgit"
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A Companion to Russian Cinema
2016
A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies. * The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field * This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions * The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture * Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography * Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected
Russian ark : Aleksandr Sokurov
Released in 2002, Russian Ark drew astonished praise for its technique: shot with a Steadicam in one ninety-six-minute take, it presented a dazzling whirl of movement as it followed the Marquis de Custine as he wandered through the vast Winter Palace in St. Petersburg--and through three hundred years of Russian history. This companion to Russian Ark addresses all key aspects of the film, beginning with a comprehensive synopsis, an in-depth analysis, and an account of the production history. Birgit Beumers goes on from there to discuss the work that went into the now-legendary Steadicam shot--which required two thousand actors and three orchestras--and she also offers an account of the film's critical and public reception, showing how it helped to establish director Aleksandr Sokurov as perhaps the leading filmmaker in Russia today.
Performing violence
2009
In this book, Birgit Beumers and Mark Lipovetsky examine the representation of violence in new dramatic works by young Russian playwrights. As the first English-language study of Russian drama and theatre in the twenty-first century, it seeks a vantage point for the analysis of brutality in post-Soviet culture.
World Film Locations
2014
There are very few preserved filmic depictions of Moscow from pre-Revolutionary years. World Film Locations: Moscow compares and contrasts images from the past and present, giving the forty-six carefully selected scene reviews and seven spotlight essays a historical focus. It also provides an inside look at the city's film studio, Mosfilm.