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A Connecticut Yankee in King Arthur's court
A Connecticut Yankee is Mark Twain's most ambitious work, a tour de force with a science-fiction plot told in the racy slang of a Hartford workingman, sparkling with literary hijinks as well as social and political satire. Mark Twain characterized his novel as \"one vast sardonic laugh at the trivialities, the servilities of our poor human race.\" The Yankee, suddenly transported from his native nineteenth-century America to the sleepy sixth-century Britain of King Arthur and the Round Table, vows brashly to \"boss the whole country inside of three weeks.\" And so he does. Emerging as \"The Boss,\" he embarks on an ambitious plan to modernize Camelot—with unexpected results.
eBook
Rhetorical Exposures
Documentary photography aims to capture the material reality of life. In Rhetorical Exposures , Christopher Carter demonstrates how the creation and display of documentary photographs—often now called “imagetexts”—both invite analysis and raise persistent questions about the political and social causes for the bleak scenes of poverty and distress captured on film.
Carter’s carefully reasoned monograph examines both formal qualities of composition and the historical contexts of the production and display of documentary photographs. In Rhetorical Exposures , Carter explores Jacob Riis’s heartrending photos of Manhattan’s poor in late nineteenth-century New York, Walker Evans’s iconic images of tenant farmers in west Alabama, Ted Streshinsky’s images of 1960s social movements, Camilo José Vergara’s photographic landscapes of urban dereliction in the 1970s, and Chandra McCormick’s portraits of New Orleans’s Ninth Ward scarred by Hurricane Katrina.
While not ascribing specifically political or Marxist intentions to the photographers discussed, Carter frames his arguments in a class-based dialectic that addresses material want as an ineluctable result of social inequality. Carter argues that social documentary photography has the powerful capacity to disrupt complacent habits of viewing and to prompt viewers to confront injustice. Though photography may induce socially disruptive experiences, it remains vulnerable to the same power dynamics it subverts. Therefore, Carter offers a “rhetoric of exposure” that outlines how such social documentary images can be treated as highly tensioned rhetorical objects. His framework enables the analysis of photographs as heterogeneous records of the interaction of social classes and expressions of specific built environments. Rhetorical Exposures also discusses how photographs interact with oral and print media and relate to creations as diverse as public memorials, murals, and graphic novels.
As the creation and dissemination of new media continues to evolve in an environment of increasing anxiety about growing financial inequality, Rhetorical Exposures offers a very apt and timely discussion of the ways social documentary photography is created, employed, and understood.
eBook
A Connecticut Yankee in King Arthur's Court
Hank, a 19th-Century New England factory manager, suffers a blow to the head that sends him back in time to medieval England. Determined to make the best of the situation, the Yankee attempts to modernize England, setting up schools and factories while trying to hide what he's doing from the Catholic Church and the British monarchy. This American novel written by humorist Mark Twain satirizes the idealized notions of the Middle Ages made popular by other writers of the time. This unabridged version of Twain's comedy, first published in 1889, includes illustrations by Daniel Carter Beard.
eBook