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"Cincinnati Art Museum, host institution"
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Kimono refashioned : Japan's impact on international fashion
\"Kimono Refashioned explores the impact of kimono on the world of fashion from the 1870s to now. Featuring works from the renowned Kyoto Costume Institute, it includes Japanese and Western designs, men's and women's apparel, and both exacting and impressionistic references to kimono. Kimono has influenced global fashion since Japan opened to the world in the late nineteenth century. Motifs used to decorate kimono, its form and silhouette, and its two-dimensional structure and linear cut have all been refashioned into a wide array of garments. Kimono revealed new possibilities in clothing design and helped to lay the foundations of contemporary clothing. Six essays from experts in the field discuss Japan's impact on international fashion. Four catalogue sections explore early examples of the influence of kimono; Japonism in fashion from the late nineteenth century to the 1920s; contemporary fashion and its use of kimono's flatness, silhouette, weave, dyeing, and decoration; and how Japan continues to inspire the world of fashion through its incorporation of popular design, including manga and anime\"-- Provided by publisher.
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Kentucky Renaissance : the Lexington Camera Club and its community, 1954-1974
\"Dozens of American cities witnessed the founding of camera clubs in the first half of the 20th century, though few boasted as many accomplished artists as the one based in Lexington, Kentucky. This pioneering book provides the most absorbing account to date of the Lexington Camera Club, an under-studied group of artists whose ranks included Ralph Eugene Meatyard, Van Deren Coke, Robert C. May, James Baker Hall, and Cranston Ritchie. These and other members of the Lexington Camera Club explored the craft and expressive potential of photography. They captured Kentucky's dramatic natural landscape and experimented widely with different techniques, including creating double and multiple exposures or shooting deliberately out-of-focus images. In addition to compiling images by these photographers, this book examines their relationships with writers, publishers, and printmakers based in Kentucky at the time, such as Wendell Berry, Guy Davenport, Jonathan Greene, and Thomas Merton. Moreover, the publication seeks to highlight the unique contributions that the Lexington Camera Club made to 20th-century photography, thus broadening a narrative of modern art that has long focused on New York and Chicago. Featuring a wealth of new scholarship, this fascinating catalogue asserts the importance and artistic achievement of these often overlooked photographers and their circle\"-- Provided by publisher.
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Terracotta Army : Legacy of the First Emperor of China
\"This catalog accompanies the exhibition Terracotta Army: Legacy of the First Emperor of China, organized by the Virginia Museum of Fine Arts\"-- Provided by publisher.
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Old Paris and changing New York : photographs by Eugلene Atget and Berenice Abbott
\"In this comprehensive study, Kevin Moore examines the relationship between Eugene Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city, old Paris, as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York. This publication discusses how, during the 1930s and 1940s, Abbott paid further tribute to Atget by publishing and exhibiting his work and by printing hundreds of images from his negatives, using the gelatin silver process. Through Abbott's efforts, Atget became known to an audience of photographers and writers who found diverse inspiration in his work. Abbott herself is remembered as one of the most independent, determined, and respected photographers of the 20th century\"-- Provided by publisher.
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