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The Cambridge companion to American fiction after 1945
\"Each generation revises literary history and this is nowhere more evident than in the post-Second World War period. This Companion offers a comprehensive, authoritative and accessible overview of the diversity of American fiction since the Second World War. Essays by nineteen distinguished scholars provide critical insights into the significant genres, historical contexts, cultural diversity and major authors during a period of enormous American global political and cultural power. This power is overshadowed, nevertheless, by national anxieties growing out of events ranging from the Civil Rights Movement to the rise of feminism; from the Cold War and its fear of Communism and nuclear warfare to the Age of Terror and its different yet related fears of the 'Other'. American fiction since 1945 has faithfully chronicled these anxieties. An essential reference guide, this Companion provides a chronology of the period, as well as guides to further reading\"-- Provided by publisher.
Book
The Cambridge Companion to American Fiction after 1945
Each generation revises literary history and this is nowhere more evident than in the post-Second World War period. This 2011 Companion offers a comprehensive, authoritative and accessible overview of the diversity of American fiction since the Second World War. Essays by nineteen distinguished scholars provide critical insights into the significant genres, historical contexts, cultural diversity and major authors during a period of enormous American global political and cultural power. This power is overshadowed, nevertheless, by national anxieties growing out of events ranging from the Civil Rights Movement to the rise of feminism; from the Cold War and its fear of Communism and nuclear warfare to the Age of Terror and its different yet related fears of the 'Other'. American fiction since 1945 has faithfully chronicled these anxieties. An essential reference guide, this Companion provides a chronology of the period, as well as guides to further reading.
eBook
The Cambridge Companion to Don DeLillo
With the publication of his seminal novel White Noise, Don DeLillo was elevated into the pantheon of great American writers. His novels are admired and studied for their narrative technique, political themes, and their prophetic commentary on the cultural crises affecting contemporary America. In an age dominated by the image, DeLillo's fiction encourages the reader to think historically about such matters as the Cold War, the assassination of President Kennedy, threats to the environment, and terrorism. This Companion charts the shape of DeLillo's career, his relation to twentieth-century aesthetics, and his major themes. It also provides in-depth assessments of his best-known novels, White Noise, Libra, and Underworld, which have become required reading not only for students of American literature, but for all interested in the history and the future of American culture.
eBook
Faulkner and Postmodernism
Since the 1960s, William Faulkner, Mississippi's most famous author, has been recognized as a central figure of international modernism. But might Faulkner's fiction be understood in relation to Thomas Pynchon'sGravity's Rainbowas well as James Joyce'sUlysses?
In eleven essays from the 1999 Faulkner and Yoknapatawpha Conference, held at the University of Mississippi,Faulkner and Postmodernismexamines William Faulkner and his fiction in light of postmodern literature, culture, and theory. The volume explores the variety of ways Faulkner's art can be used to measure similarities and differences between modernism and postmodernism.
Essays in the collection fall into three categories: those that use Faulkner's novels as a way to mark a period distinction between modernism and postmodernism, those that see postmodern tendencies in Faulkner's fiction, and those that read Faulkner through the lens of postmodern theory's contemporary legacy, the field of cultural studies.
In order to make their particular arguments, essays in the collection compare Faulkner to more contemporary novelists such as Ralph Ellison, Vladimir Nabokov, Thomas Pynchon, Walker Percy, Richard Ford, Toni Morrison, and Kathy Acker. But not all of the comparisons are to high culture artists, since even Elvis Presley becomes Faulkner's foil in one of the essays.
A variety of theoretical perspectives frame the work in this volume, from Fredric Jameson's pessimistic sense of postmodernism's possibilities to Linda Hutcheon's conviction that cultural critique can continue in postmodernism through innovative new forms such as metafiction. Despite the different theoretical premises and distinct conclusions of the individual authors of these essays,Faulkner and Postmodernismproves once again that in the key debates surrounding twentieth-century fiction, Faulkner is a crucial figure.
John N. Duvall, an associate professor of English at Purdue University, is the editor ofModern Fiction Studies.
Ann J. Abadie is associate director of the Center for the Study of Southern Culture at the University of Mississippi.
eBook