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"Foster, Gwendolyn Audrey, author"
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A short history of film
\"With more than 250 images, new information on international cinema- especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers- an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects...\" - Back cover.
Performing whiteness : postmodern re/constructions in the cinema
2003
Performing Whiteness crosses the boundaries of film study to explore images of the white body in relation to recent theoretical perspectives on whiteness. Drawing on such diverse critical methodologies as postcolonial studies, feminist film criticism, anthropology, and phenomenology, Gwendolyn Audrey Foster examines a wide variety of films from early cinema to the present day in order to explore the ways in which American cinema imposes whiteness as a cultural norm, even as it exposes its inherent instability. In discussions that range from The Philadelphia Story to Attack of the 50 Foot Woman, Foster shows that, though American cinema is an all-white construct, there exists the possibility of a healthy resistance to cultural norms of race, gender, sexuality, and class.
Women filmmakers of the African and Asian diaspora : decolonizing the gaze, locating subjectivity
by
Foster, Gwendolyn Audrey
in
African American motion picture producers and directors
,
Afro-American women motion picture producers and directors
,
Asian American motion picture producers and directors
1997
Black women filmmakers not only deserve an audience, Gwendolyn Audrey Foster asserts, but it is also imperative that their voices be heard as they struggle against Hollywood's constructions of spectatorship, ownership, and the creative and distribution aspects of filmmaking.
A short history of film
by
Dixon, Wheeler W.
,
Foster, Gwendolyn Audrey
in
Motion picture industry
,
Motion picture industry -- History
,
Motion pictures
2018
With more than 250 images, new information on international cinema-especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers-an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
21st-Century Hollywood
by
WHEELER WINSTON DIXON
,
GWENDOLYN AUDREY FOSTER
in
21st century
,
Digital cinematography
,
Digital media
2011
They are shot on high-definition digital cameras-with computer-generated effects added in postproduction-and transmitted to theaters, websites, and video-on-demand networks worldwide. They are viewed on laptop, iPod, and cell phone screens. They are movies in the 21st century-the product of digital technologies that have revolutionized media production, content distribution, and the experience of moviegoing itself.
21st-Century Hollywoodintroduces readers to these global transformations and describes the decisive roles that Hollywood is playing in determining the digital future for world cinema. It offers clear, concise explanations of a major paradigm shift that continues to reshape our relationship to the moving image. Filled with numerous detailed examples, the book will both educate and entertain film students and movie fans alike.