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67 result(s) for "Lamadrid, Enrique R"
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Nación Ǵenízara : ethnogenesis, place, and identity in New Mexico
Nación Genízara examines the history, cultural evolution, and survival of the Genízaro people. The contributors to this volume cover topics including ethnogenesis, slavery, settlements, poetics, religion, gender, family history, and mestizo genetics. Fray Angélico Chávez defined Genízaro as the ethnic term given to indigenous people of mixed tribal origins living among the Hispano population in Spanish fashion. They entered colonial society as captives taken during wars with Utes, Apaches, Comanches, Kiowas, Navajos, and Pawnees. Genízaros comprised a third of the population by 1800. Many assimilated into Hispano and Pueblo society, but others in the land-grant communities maintained their identity through ritual, self-government, and kinship. Today the persistence of Genízaro identity blurs the lines of distinction between Native and Hispanic frameworks of race and cultural affiliation. This is the first study to focus exclusively on the detribalized Native experience of the Genízaro in New Mexico.
Aurelio Macedonio Espinosa's “Great(er) Spain”: The Snares of Querencia and the Pitfalls of Cultural Nationalism and Fundamentalist Hispanismo
Aurelio Macedonio Espinosa (1880–1958) studied Hispanic folklore in the American Southwest, Spain, and Spanish America. His research foregrounds Spanish language, verbal arts, and culture of the people of greater New Mexico (New Mexico and southern Colorado). Three decades into an energetic career of fieldwork, research, and teaching, Espinosa allied himself with Spanish Nationalism, largely motivated by his religious beliefs. His foundational work in linguistics and dialectology endures, but his contributions to US folklore studies have been largely erased. Critics condemn his insistent identification with Peninsular Spanish rather than Mexican cultural roots and his conservative politics. A more likely motivation for his quest for Spanishness is the Historic Geographic theory and methodology he clung to in the search for origins and dissemination of folktales. Peeling back layers of outdated theory and politics reveals decades of solid fieldwork and documentation, still relevant today. The American Folklore Society (AFS) Notable Folklorists of Color 2019 exhibition and 2022 website have rekindled interest in the career of Espinosa, a past president of AFS.
Hispanic Folk Music of New Mexico and the Southwest
First published in 1980 and now available only from the University of New Mexico Press, this classic compilation of New Mexico folk music is based on thirty-five years of field research by a giant of modern music. Composer John Donald Robb, a passionate aficionado of the traditions of his adopted state, traveled New Mexico recording and transcribing music from the time he arrived in the Southwest in 1941.
Nuevomexicano Cultural Memory and the Indo-Hispana Mujerota
The strong and independent character of the women of the borderlands is signified in the term mujerota in the folk idiom of the northern Rio Grande. Used to invoke the mythical, historical, and everyday women of the region known once as New Spain, then Mexico, and now as the southwestern US, \"mujerota\" in the context discussed here honors the significant social impact such women exerted in their time and later. Here, Nogar and Lamadrid explore evolving ideas of indigeneity, assimilation, resistance, and cultural hybridity through the paradigmatic figure of the mujerota, the idealized and real strong-woman who reproduces family, culture, and society.
La Llorona : the crying woman
In ancient Mexico, beautiful Maya's children are endangered by the threat of Señor Tiempo who, jealous of their immortality, plots to destroy them.
New Mexican Folk Music/Cancionero del Folklor Nuevomexicano
Cipriano Frederico Vigil is the most important performer of traditional Nuevomexicano folk music in the late twentieth and early twenty-first centuries. This bilingual panoramic book presents the songs that are his life's work, spanning half a century of listening, playing, composing, and singing ritual, social, and dance music. New Mexican Folk Music includes much traditional material that has never been seen before or studied by scholars or students. Renowned as a composer, Vigil works in traditional genres such as the romance, the décima, the cuando, and corrido. Like the Mexican group Los Folkloristas with which he apprenticed in the late 1970s, his goal has been to research and master local styles, to introduce new listeners to traditional music, and to build on tradition by creating new compositions that address contemporary social themes. An audio CD accompanies this comprehensive study on the work and music of Cipriano Frederico Vigil.