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4 result(s) for "O'Conner, Patricia T., author"
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Words don't come easy
HALFWAY THROUGH his book about scrabble and the people who live to play it, Stefan Fatsis has an \"Aha!\" experience. On a san Francisco street, a...
The Reader Over Your Shoulder
\"The best book on writing ever published\" (Patricia T. O'Conner, author of Woe Is I).   When Robert Graves and Alan Hodge decided to collaborate on this manual for writers, the world was in total upheaval. Graves had fled Majorca three years earlier at the start of the Spanish Civil War, and as they labored over their new project, they witnessed the fall of France and the evacuation of Allied forces at Dunkirk. Soon the horror of World War II would reach British soil as well, as the Luftwaffe began bombing London in an effort to destroy the resolve of the English people.   Graves and Hodge believed that at a time when their whole world was falling apart, the survival of English prose sentences—of writing that was clear, concise, and intelligible—had become paramount if hope were going to outlive the onslaught. They came up with forty-one principles for writing, the majority devoted to clarity, the remainder to grace of expression. They studied the prose of a wide range of noted authors and leaders, finding much room for improvement. Successful communication could mean the difference between war and peace, life and death, and they were determined to contribute to its survival. The importance of good writing continues today, as obfuscation, propaganda, manipulative language, and sloppy standards are all too common—and this classic guide is just as useful and important as ever.   Note: This edition restores the full, original 1943 text.   \"To see what really expert mavens can do in applying their rule-based expertise to clearing up bad prose, get hold of a copy of  The Reader Over Your Shoulder.\" —The Atlantic
CHILDREN'S BOOKS
The traditional folk songs and unusual selection of yarns were collected by the children's book editor [Ann Durell] from various American regions and ethnic groups. The songs range from zippy (''Buffalo Gal,'' ''Yankee Doodle,'' ''Clementine,'' ''I've Been Working on the Railroad'') to melancholy (''On Top of Old Smokey,'' ''Swing Low, Sweet Chariot'') and sweet (''Billy Boy''). Ms. [DIANE GOODE] translates the pulse and mood of each into witty illustrations. The stories include the somewhat familiar (''Davy Crockett Meets His Match'' and ''Good or Bad?''), the not so familiar (''The Three Girls With the Journey-Cakes,'' ''The Talking Mule''), the humorous (''The Greedy Wife,'' ''The Twist-Mouth Family,'' ''The Knee-High Man''), the animal fable (''The Coyote and the Bear'') and the shivery ghost tale (''Wait Till Martin Comes'').