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"Treib, Marc"
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Doing almost nothing : the landscapes of Georges Descombes
Until now, writings about the architect/landscape architect Georges Descombes have been relatively limited, appearing primarily in publications in Switzerland and abroad as conversations, interviews, and conference proceedings; most of them have appeared only in French. However, during his forty years of practice, Descombes has developed and applied a method unique to landscape architecture, one in which an extremely broad vision, both scientifically and culturally, shapes his thinking and projects. Descombes enters each project by attempting to understand the existing conditions on site and how, using minimal means and interventions, those conditions can be modified to meet the requirements of the programme and those appropriate to the natural or urban environment. To some critics it would appear that Descombes has always done too little on and to the site, and in some instances have condemned him for 'doing almost nothing'. Although simplicity usually demands greater concentration and study, it often yields greater rewards that result from just that restraint. Perhaps how we approach the world is more important that how we shape the world. Descombes's landscapes are instructive in this regard.
Poodling : on the just shaping of shrubbery
\"Poodling is a vernacular approach to pruning shrubbery: a negotiation between gardener and shrub that pits human aesthetic intention against the genetic forces that guide the plant's natural development. Topiary shears shrubs into a singular form geometric or figur e; poodling, in contrast, treats each branch individually and shapes its leaves or needles into the forms that remain at their ends. In this informed, if light-hearted, telling of the story, noted landscape historian Marc Treib traces the evolution and characteristics of topiary, espalier, and other forms of plant guidance such as poodling, proposing that what began as functional horticultural practices was transformed into a vehicle for artistic expression. Poodling catalogs the forms of pruning we encounter today and their probable origin in Japan during the eighteenth century. Noting the parallels, he compares the forms of poodling (vegetal) with those of the canine species poodle (animal), and the manne rs by which the dog's hair has been clipped. Richly illustrated with photographs by the author taken in many countries over three decades, this is an informative book that everyone can enjoy.\"--Publisher's website.
A guide to the gardens of Kyoto
\"Designed for the layman as well as the professional, this concise yet comprehensive guide provides both practical information and theoretical insights into the design of the Japanese garden. Kyoto, the capital of Japan for over one thousand years, possesses a richness of garden art without equal as a living chronicle of Japanese cultural history and environmental design. Following the introductory essays are individual entries for more than 50 temple and palace gardens. The text is augmented by an excellent selection of photographs, historical prints, maps, and colour plates.\"--Book flap.
Books : review : \Södra Ängby : modernism, architecture, landscape\
by
Treib, Marc
2016
Reviews \"Södra Ängby : modernism, architecture, landscape,\" edited by Thorbjörn Andersson, Sören Johansson, Paul Källenius, and Anders Lindunger (Carlsson Bokförlag, 2015). During the opening decades of the twentieth century, the movement to improve urban conditions and institute housing reform in Sweden gained increased attention and support prompted by a sense of growing urgency. With the country's health statistics among the worst in Europestatistics fed by the pressures of continuing urbanizationliving conditions in cities like Stockholm had become dire. In response, polemics by social reformer Ellen Key and art historian and design proselytizer Gregor Paulsson laid the foundations for an embrace of modernization and the adoption of a version of modern architecture known as functionalism, or, more colloquially in Sweden, \"funkis.\" [Revised Publication Abstract]
Journal Article
Noguchi's gardens : landscape as sculpture
by
Treib, Marc, author
,
Noguchi, Isamu, 1904-1988. Works
in
Noguchi, Isamu, 1904-1988.
,
Sculptors United States.
,
Art and Design.
2024
In this illustrated study of Noguchi's gardens, noted landscape historian Marc Treib describes and critiques projects that date from his early unrealised projects for playgrounds and monuments to a large park in Sapporo, Japan, whose construction was completed only posthumously.
Meaning in Landscape Architecture & Gardens
2011
While we all live our lives in designed landscapes of various types, only on occasion do we consider what these landscapes mean to us and how they have acquired that significance. Can a landscape architect or garden designer really imbue new settings with meaning, or does meaning evolve over time, created by those who perceive and use these landscapes? What role does the selection and arrangement of plants and hard materials play in this process and just where does the passage of time enter into the equation?
These questions collectively provide the core material for Meaning in Landscape Architecture and Gardens, a compendium of four landmark essays written over a period of twenty years by leading scholars in the field of landscape architecture. New commentaries by the authors accompany each of the essays and reflect on the thinking behind them as well as the evolution of the author's thoughts since their original publication.
Although the central theme of these writings is landscape architecture broadly taken, the principal subject of several essays and commentaries is the garden, a subject historically plentiful in allusions and metaphors. As a whole Meaning in Landscape Architecture and Gardens offers the general reader as well as the professional a rich source of ideas about the designed landscape and the ways by which we perceive, consider, react, and dwell within them - and what they mean to us.
The essays have been perennial favorites in landscape courses since their original publication in Landscape Journal. Bringing them together - bolstered by the new commentaries - creates a book valuable to all those creating gardens and landscapes, as well as those teaching and studying these subjects.