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1,791
result(s) for
"Art and society Europe."
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Interactive and Sculptural Printmaking in the Renaissance
by
Karr Schmidt, Suzanne
in
Art and society -- Europe -- History -- 16th century
,
Art and society -- Europe -- History -- 17th century
,
Interactive prints -- Europe
2017,2018
The story of a hands-on genre of prints: how innovative paper engineering redefined the relationship of early modern viewers to art, humanism, and science.
Making Copies in European Art 1400-1600
by
Bellavitis, Maddalena
in
Art and society -- Europe -- History -- 16th century
,
Art and society -- Europe -- History -- to 1500
,
Painting, Renaissance
2018
A team of 16 experts underline the binds and exchanges between different contexts and artistic techniques that copies established in the Renaissance, and how the history of taste is sophisticated and complex.
Receptions of Antiquity, Constructions of Gender in European Art, 1300–1600
by
Poe, Alison C
,
Rose, Marice
in
Art and society -- Europe -- History -- 16th century
,
Art and society -- Europe -- History -- To 1500
,
Art, European
2015
Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 examines the way in which late medieval and early modern visual culture engaged with Greek and Roman antiquity to construct and challenge contemporary gender norms.
The Long Lives of Medieval Art and Architecture
by
Jennifer M. Feltman
,
Sarah Thompson
in
Architectural History
,
Architecture and society
,
Architecture and society -- Europe -- History
2019
iTraditional histories of medieval art and architecture often privilege the moment of a work's creation, yet surviving works designated as \"medieval\" have long and expansive lives. Many have extended prehistories emerging from their sites and contexts of creation, and most have undergone a variety of interventions, including adaptations and restorations, since coming into being. The lives of these works have been further extended through historiography, museum exhibitions, and digital media. Inspired by the literary category of biography and the methods of longue durée historians, the introduction and seventeen chapters of this volume provide an extended meditation on the longevity of medieval works of art and the aspect of time as a factor in shaping our interpretations of them. While the metaphor of \"lives\" invokes associations with the origin of the discipline of art history, focus is shifted away from temporal constraints of a single human lifespan or generation to consider the continued lives of medieval works even into our present moment. Chapters on works from the modern countries of Italy, France, England, Spain, and Germany are drawn together here by the thematic threads of essence and continuity, transformation, memory and oblivion, and restoration. Together, they tell an object-oriented history of art and architecture that is necessarily entangled with numerous individuals and institutions.
War in Europe : 1450 to the present
\"War in Europe is an overview of war and military development in Europe since 1450, bringing together the work of a renowned historian of modern European and military history in a single authoritative volume. Beginning with the impact of the Reformation and continuing up to the present day, Jeremy Black discusses the following key themes: long-term military developments, notably in the way war is waged and battle conducted; the relationship between war and transformations in the European international system; the linkage between military requirements and state developments; the consequences of these requirements, and of the experience of war, for the nature of society. Adopting a clear chronological approach, Black weaves a rich and detailed narrative of the development of war in relation to transformations in the European international system, demonstrating the links between its causes and consequences in the military, political and social spheres. Assimilating decades of important research as well as bringing new perspectives to the topic, War in Europe is a key text for students taking courses in European history, international relations and war studies\"-- Provided by publisher.
Printing Colour 1400–1700
by
Stijnman, Ad
,
Savage, Elizabeth
in
Art and society
,
Art and society -- Europe -- History
,
Color prints, European
2015
In Printing Colour 1400-1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art.