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"Brown, Charles Brockden (1771-1810)"
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The Oxford handbook of Charles Brockden Brown
by
Barnard, Philip, 1951- editor
,
Emmett, Hilary, editor
,
Shapiro, Stephen, 1964- editor
in
Brown, Charles Brockden, 1771-1810 Criticism and interpretation.
2019
\"The Oxford Handbook of Charles Brockden Brown is a comprehensive and up-to-date collection on Brown's life and works. It includes original chapters on all of Brown's fictional and non-fictional writing and new considerations of his contexts, from the social, political, and economic to the scientific, commercial, and religious. The contributions speak in new ways about his depictions of literary theory, social justice, sexuality, and property relations, as well as slavery, Native Americans, and women's rights. His understanding of American and global history, of his own nation and foreign ones, and of selfhood and otherness, like all the other topics, is explained in terms easy to comprehend and profoundly relevant to emerging modernity\" -- Provided by publisher.
The historicism of Charles Brockden Brown : radical history and the early Republic
2010,2014
A new perspective on the cultural politics of Charles Brockden Brown
The novels of Charles Brockden Brown, the most accomplished literary figure in early America, redefined the gothic genre and helped shape some of America’s greatest writers, including Herman Melville, Edgar Allan Poe, and Nathaniel Hawthorne. However, little has been said about the latter years of Brown’s career. While his early novels are celebrated for their innovative and experimental style, Brown’s later historical narratives are often dismissed as uninteresting, and Brown himself has been accused of having become “a stodgy conservative.”
Through a re-examination of these neglected historical writings, Mark L. Kamrath takes a fresh look at Brown’s later career and his role in the cultural politics of the early national period. This interdisciplinary study uses transatlantic historical contexts and recent narrative discourse to unveil Brown’s philosophic inquires into the filiopietistic tradition of historiography and increasingly imperialistic notion of American exceptionalism. It recovers a forgotten debate—and radical position—about the nature of historical truth and representation and opens up for contemporary discussion what it means to write about the past.
Print technology in Scotland and America, 1740–1800
by
McAuley, Louis Kirk
in
American literature
,
American literature -- 18th cntury -- History and criticism
,
Brown, Charles Brockden, 1771-1810 -- Criticism and interpretation
2013
In Print Technology in Scotland and America Louis Kirk McAuley investigates the mediation of popular-political culture in Scotland and America, from the transatlantic religious revivals known as the Great Awakening to the U.S. presidential election of 1800. By focusing on Scotland and America—and, in particular, the tension between unity and fragmentation that characterizes eighteenth-century Scottish and American literature and culture—Print Technology aims to increase our understanding of how tensions within these corresponding political and cultural arenas altered the meaning of print as an instrument of empire and nation building. McAuley reveals how seemingly disparate events, including journalism and literary forgery, were instrumental and innovative deployments of print not as a liberation technology (as Habermas’s analysis of print's structural transformation of the public sphere suggests), but as a mediator of political tensions.
Conspiracy and romance : studies in Brockden Brown, Cooper, Hawthorne, and Melville
by
Levine, Robert S. (Robert Steven), 1953-
in
Brown, Charles Brockden, 1771-1810.
,
Cooper, James Fenimore, 1789-1851.
,
Hawthorne, Nathaniel, 1804-1864.
2008
Robert Levine has examined the American romance in a historical context. His book offers a fresh reading of the genre, establishing its importance to American culture between the founding of the republic and the Civil War.
American Sympathy
2001
\"A friend in history,\" Henry David Thoreau once wrote, \"looks like some premature soul.\" And in the history of friendship in early America, Caleb Crain sees the soul of the nation's literature.In a sensitive analysis that weaves together literary criticism and historical narrative, Crain describes the strong friendships between men that supported and inspired some of America's greatest writing--the Gothic novels of Charles Brockden Brown, the essays of Ralph Waldo Emerson, and the novels of Herman Melville. He traces the genealogy of these friendships through a series of stories. A dapper English spy inspires a Quaker boy to run away from home. Three Philadelphia gentlemen conduct a romance through diaries and letters in the 1780s. Flighty teenager Charles Brockden Brown metamorphoses into a horror novelist by treating his friends as his literary guinea pigs. Emerson exchanges glances with a Harvard classmate but sacrifices his crush on the altar of literature--a decision Margaret Fuller invites him to reconsider two decades later. Throughout this engaging book, Crain demonstrates the many ways in which the struggle to commit feelings to paper informed the shape and texture of American literature.
The plight of feeling
1997
American novels written in the wake of the Revolution overflow with self-conscious theatricality and impassioned excess. In The Plight of Feeling, Julia A. Stern shows that these sentimental, melodramatic, and gothic works can be read as an emotional history of the early republic, reflecting the hate, anger, fear, and grief that tormented the Federalist era. Stern argues that these novels gave voice to a collective mourning over the violence of the Revolution and the foreclosure of liberty for the nation's noncitizens—women, the poor, Native and African Americans. Properly placed in the context of late eighteenth-century thought, the republican novel emerges as essentially political, offering its audience gothic and feminized counternarratives to read against the dominant male-authored accounts of national legitimation. Drawing upon insights from cultural history and gender studies as well as psychoanalytic, narrative, and genre theory, Stern convincingly exposes the foundation of the republic as an unquiet crypt housing those invisible Americans who contributed to its construction.
Charles Brockden Brown
2011
This study of the works of late eighteenth-century American Gothic author Charles Brockden Brown argues that Brown was a seminal figure in the development of four forms of Gothic fiction: the Frontier Gothic, the Urban Gothic, the Psychological Gothic, and the Female Gothic.
Sixth Senses and Vocal Glens: Autistic Nation-Building in Charles Brockden Brown’s Echolocational Fiction
This essay de-gothicizes Charles Brockden Brown’s sonic portrayals of cognitive disability. Led by “idiot” and “monster” Nick Handyside, Brown’s neurodivergent characters navigate an unlit American wilderness guided by echoes. This practice, later named “echolocation,” was discovered during the 1790s in scientific experiments that Brown and his circles chronicled as a quest for a “sixth sense.” In his fiction, Brown relates echolocators’ “sixth sense” to sensory-processing, communicational, and sociality traits today associated with autism. The result is not a horror show but a model of individual and national growth that prioritizes acoustics over semantics, relationality over persuasion, neuroplasticity over rationalism.
Journal Article
Introduction to 'Symposium on Scholarly Editing and the New Charles Brockden Brown Studies'
by
Weyler, Karen A
,
Shapiro, Stephen
,
Hewitt, Elizabeth
in
American literature
,
Authorship
,
Brown, Charles Brockden
2022
Just as the Bicentennial Editions of Charles Brockden Brown's novels (197787) marked a transitional moment in American literary scholarship, recent publications in the Collected Writings of Charles Brockden Brown series initiate a reimagination of both the author's work and larger issues of authorship and early American literary culture. Vie symposium offers reflections from editors of the volumes.
Journal Article