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"Civil rights movements Fiction."
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The help
Aibileen is a black maid in 1962 Jackson, Mississippi, who's always taken orders quietly, but lately she's unable to hold her bitterness back. Her friend Minny has never held her tongue but now must somehow keep secrets about her employer that leave her speechless. White socialite Skeeter just graduated college. She's full of ambition, but without a husband, she's considered a failure. Together, these seemingly different women join together to write a tell-all book about work as a black maid in the South, that could forever alter their destinies and the life of a small town.
La Couleur des sentiments de Kathryn Stockett (Fiche de lecture)
Tout ce qu'il faut savoir sur La Couleur des sentiments de Kathryn Stockett ! Retrouvez l'essentiel de l'A uvre dans une fiche de lecture complete et detaillee, avec un resume, une etude des personnages, des cles de lecture et des pistes de reflexion.Rdige de manire claire et accessible, la fiche de lecture propose d'abord un rsum chapitre par chapitre du roman, puis s'intresse aux personnages d'Aibileen, de Minny et de Skeeter, au centre de l'A uvre, mais aussi Charlotte Phelan, Hilly Holbrook, Stuart Whitworth, Celia Foote et Constantine. On aborde ensuite la structure polyphonique de l'A uvre et la peinture de la socit des annes 1960 dans le Sud des tats-Unis, avant de commenter le traitement comique de certains pisodes. Enfin, les pistes de rflexion, sous forme de questions, vous permettront d'aller plus loin dans votre tude. Une analyse littraire de rfrence pour mieux lire et comprendre le livre !
eBook
The help
In Jackson, Mississippi, in 1962, there are lines that are not crossed. With the civil rights movement exploding all around them, three women start a movement of their own, forever changing a town and the way women--black and white, mothers and daughters--view one another.
Book
Jujitsu for Christ
Jack Butler'sJujitsu for Christ--originally published in 1986--follows the adventures of Roger Wing, a white born-again Christian and karate instructor who opens a martial arts studio in downtown Jackson, Mississippi, during the tensest years of the Civil Rights era. Ambivalent about his religion and his region, he befriends the Gandys, an African-American family--parents A.L. and Snower Mae, teenaged son T.J., daughter Eleanor Roosevelt, and youngest son Marcus--who has moved to Jackson from the Delta in hopes of greater opportunity for their children.
As the political heat rises, Roger and the Gandys find their lives intersecting in unexpected ways. Their often-hilarious interactions are told against the backdrop of Mississippi's racial trauma--Governor Ross Barnett's \"I Love Mississippi\" speech at the 1962 Ole Miss-Kentucky football game in Jackson; the riots at the University of Mississippi over James Meredith's admission; the fieldwork of Medgar Evers, the NAACP, and various activist organizations; and the lingering aura of Emmett Till's lynching.Drawing not only on William Faulkner's gothic-modernist Yoknapatawpha County but also on Edgar Rice Burroughs's high-adventure Martian pulps,Jujitsu for Christpowerfully illuminates vexed questions of racial identity and American history, revealing complexities and subtleties too often overlooked. It is a remarkable novel about the civil rights era, and how our memories of that era continue to shape our political landscape and to resonate in contemporary conversations about southern identity. But, mostly, it's very funny, in a mode that's experimental, playful, sexy, and disturbing all at once.Butler offers a new foreword to the novel. Brannon Costello, a scholar of contemporary southern literature and fan of Butler's work, writes an afterword that situates the novel in its historical context and in the southern literary canon.
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Moonrise over New Jessup : a novel
\"It's 1957, and after leaving the only home she has ever known, Alice Young steps off the bus into the all-Black town of New Jessup, Alabama, where residents have largely rejected integration as the means for Black social advancement. She falls in love with Raymond Campbell, whose clandestine organizing activities challenge New Jessup's status quo and could lead to the young couple's expulsion-or worse-from the home they hold dear. But as Raymond continues to push alternatives for enhancing New Jessup's political power, Alice must find a way to balance her undying support for his underground work with her desire to protect New Jessup from the rising pressure of upheavals both in and out of town\"-- Provided by publisher.
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Graphic Memories of the Civil Rights Movement
The history of America’s civil rights movement is marked by narratives that we hear retold again and again. This has relegated many key figures and turning points to the margins, but graphic novels and graphic memoirs present an opportunity to push against the consensus and create a more complete history. Graphic Memories of the Civil Rights Movement showcases five vivid examples of this: Ho Che Anderson's King (2005), which complicates the standard biography of Martin Luther King Jr.; Congressman John Lewis's three-volume memoir, March (2013–2016); Darkroom (2012), by Lila Quintero Weaver, in which the author recalls her Argentinian father’s participation in the movement and her childhood as an immigrant in the South; the bestseller The Silence of Our Friends, by Mark Long, Jim Demonakos, and Nate Powell (2012), set in Houston's Third Ward in 1967; and Howard Cruse's Stuck Rubber Baby (1995), whose protagonist is a closeted gay man involved in the movement. In choosing these five works, Jorge Santos also explores how this medium allows readers to participate in collective memory making, and what the books reveal about the process by which history is (re)told, (re)produced, and (re)narrativized. Concluding the work is Santos’s interview with Ho Che Anderson.
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A tugging string : a novel about growing up during the Civil Rights era
A fictionalized account of the author's years growing up in Great Neck, New York, during the turbulent civil rights struggles of the 1950s and 1960s, when African Americans were struggling to attain equality, with his father, who was a lawyer for the NAACP Legal Defense Fund. Includes commentary from the author's father, Jack Greenberg.
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Women and the Civil Rights Movement, 1954-1965
Historians have long agreed that women--black and white--were
instrumental in shaping the civil rights movement. Until recently,
though, such claims have not been supported by easily accessed
texts of speeches and addresses. With this first-of-its-kind
anthology, Davis W. Houck and David E. Dixon present thirty-nine
full-text addresses by women who spoke out while the struggle was
at its most intense.
Beginning with the Brown decision in 1954 and extending through
the Voting Rights Act of 1965, the editors chronicle the unique and
important rhetorical contributions made by such well-known
activists as Ella Baker, Fannie Lou Hamer, Daisy Bates, Lillian
Smith, Mamie Till-Mobley, Lorraine Hansberry, Dorothy Height, and
Rosa Parks. They also include speeches from lesser-known but
influential leaders such as Della Sullins, Marie Foster, Johnnie
Carr, Jane Schutt, and Barbara Posey.
Nearly every speech was discovered in local, regional, or
national archives, and many are published or transcribed from
audiotape here for the first time. Houck and Dixon introduce each
speaker and occasion with a headnote highlighting key biographical
and background details. The editors also provide a general
introduction that places these public addresses in context.
Women and the Civil Rights Movement, 1954-1965 gives voice
to stalwarts whose passionate orations were vital to every phase of
a movement that changed America.
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Things too huge to fix by saying sorry
\"A family mystery leads Dani Beans to investigate the secrets of Ole Miss and the dark history of race relations in Oxford, Mississippi\"-- Provided by publisher.
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Writing the Black Diasporic City in the Age of Globalization
Writing the Black Diasporic City in the Age of Globalization theorizes the city as a generative, “semicircular” social space, where the changes of globalization are most profoundly experienced. The fictive accounts analyzed here configure cities as spaces where movement is simultaneously restrictive and liberating, and where life prospects are at once promising and daunting. In their depictions of the urban experiences of peoples of African descent, writers and other creative artists offer a complex set of renditions of twentieth- and twenty-first-century Black urban citizens’ experience in European or Euro-dominated cities such as Boston, London, New York, and Toronto, as well as Global South cities such as Accra, Kingston, and Lagos—that emerged out of colonial domination, and which have emerged as hubs of current globalization. Writing the Black Diasporic City draws on critical tools of classical postcolonial studies as well as those of globalization studies to read works by Ama Ata Aidoo, Amma Darko, Marlon James, Cecil Foster, Zadie Smith, Michael Thomas, Chika Unigwe, and other contemporary writers. The book also engages the television series Call the Midwife , the Canada carnival celebration Caribana, and the film series Small Axe to show how cities are characterized as open, complicated spaces that are constantly shifting. Cities collapse boundaries, allowing for both haunting and healing, and they can sever the connection from kin and community, or create new connections.
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