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"France Paris."
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Colonial Metropolis
2010
World War I gave colonial migrants and French women unprecedented access to the workplaces and nightlife of Paris. After the war they were expected to return without protest to their homes-either overseas or metropolitan. Neither group, however, was willing to be discarded.
Between the world wars, the mesmerizing capital of France's colonial empire attracted denizens from Africa, the Caribbean, and the United States. Paris became not merely their home but also a site for political engagement.Colonial Metropolistells the story of the interactions and connections of these black colonial migrants and white feminists in the social, cultural, and political world of interwar Paris. It explores why and how both were denied certain rights, such as the vote, how they suffered from sensationalist depictions in popular culture, and how they pursued parity in ways that were often interpreted as politically subversive.
Frommer's Paris day by day
We employ the best local experts to author our guides, like longtime Paris resident Anna E. Brooke. In this innovative, easy-to-carry, itinerary-based guide she show readers how to see the best of the City of Lights -- in the smartest, most time-efficient way. The book includes chapters on the best of Paris in one, two, or three days, thematic, self-guided tours for every interest, schedule, and taste, and walking tours of the city's best-loved neighborhoods. It features hundreds of evocative photos, bulleted maps that show you how to get from place to place and offers highly opinionated hotel, restaurant, shopping, and nightlife reviews for all budgets along with a tear-resistant foldout map -- enclosed in a handy plastic wallet you can also use for tickets and souvenirs.
Foreign modernism
2013,2017
\"At the beginning of the twentieth century, Paris was the cosmopolitan hub of Europe and home to a vast number of foreigners - including the writers, painters, sculptors, and musicians who were creating works now synonymous with modernism itself, such as Les Desmoiselles d'Avignon, The Rite of Spring, and Ulysses. The situation at the end of the period, however, could not have been more different: even before the violence of the Second World War, the cosmopolitan avant-garde had largely abandoned Paris, driven out by nationalism, xenophobia, and intolerance.
Foreign Modernism investigates this tense and transitional moment for both modernism and European multiculturalism by looking at the role of foreigners in Paris's artistic scene. Examining works of literature, sculpture, ballet and performing arts, music, and architecture, Ihor Junyk combines cultural history with contemporary work in transnationalism and diaspora studies. Junyk emphasizes how eþmigreþ artists used radical new forms of art to resist the culture of virulent nationalism taking root in France, and to articulate new forms of cosmopolitan identity.\"--pub. desc.
Landscape of Discontent
On a rainy day in May 2007, the mayor of Paris inaugurated the Jardins d'Éole, a park whose completion was hailed internationally as an exemplar of sustainable urbanism. The park was the result of a hard-fought, decadelong protest movement in a low-income Maghrebi and African immigrant district starved for infrastructure, but the Mayor's vision of urban sustainability was met with jeers.
Drawing extensively from immersive, firsthand ethnographic research with northeast Paris residents, as well as an analysis of green architecture and urban design, Andrew Newman argues that environmental politics must be separated from the construct of urban sustainability, which has been appropriated by forces of redevelopment and gentrification in Paris and beyond. France's turbulent political environment also provides Newman with powerful new insights into the ways in which multiethnic coalitions can emerge⎯even amid overt racism and Islamophobia⎯in the struggle for more just cities and more inclusive societies.
A tale of multidimensional political efforts,Landscape of Discontentcuts through the rhetoric of green cities to reveal the promise that environmentalism holds for urban communities anywhere.
Paris : top sights, authentic experiences
\"Lonely Planet's Best of Paris is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Promenade down the Champs Elysees, lose yourself in the Louvre and work your way through a feast of food and wine - all with your trusted travel companion. Discover the best of Paris and begin your journey now!\"--Provided by publisher.
The Way
2013
The journal Put', or The Way, was one of the major vehicles for philosophical and religious discussion among Russian émigrés in Paris from 1925 until the beginning of World War II. This Russian language journal, edited by Nicholas Berdyaev among others, has been called one of the most erudite in all Russian intellectual history; however, it remained little known in France and the USSR until the early 1990s. This is the first sustained study of the Russian émigré theologians and other intellectuals in Paris who were associated with The Way and of their writings, as published in The Way. Although there have been studies of individual members of that group, this book places the entire generation in a broad historical and intellectual context. Antoine Arjakovsky provides assessments of leading religious figures such as Berdyaev, Bulgakov, Florovsky, Nicholas and Vladimir Lossky, Mother Maria Skobtsova, and Afanasiev, and compares and contrasts their philosophical agreements and conflicts in the pages of The Way. He examines their intense commitment to freedom, their often contentious struggles to bring the Christian tradition as experienced in the Eastern Church into conversation with Christians of the West, and their distinctive contributions to Western theology and ecumenism from the perspective of their Russian Orthodox experience. He also traces the influence of these extraordinary intellectuals in present-day Russia, Western Europe, and the United States. Throughout this comprehensive study, Arjakovsky presents a wealth of arguments, from debates over \"Russian exceptionalism\" to the possibilities of a Christian and Orthodox version of socialist politics, the degree to which the church could allow its agenda to be shaped by both local and global political realities, and controversies about the distinctively Russian theology of Divine Wisdom, Sophia. Arjakovsky also maps out the relationships these émigré thinkers established with significant Western theologians such as Jacques Maritain, Yves-Marie Congar, Henri de Lubac, and Jean Daniélou, who provided the intellectual underpinnings of Vatican II.
Europeanising spaces in Paris, c. 1947-1962
by
McDonnell, Hugh
in
Coffeehouses--France--Paris--History--20th century
,
Europe--Relations--France--Paris
,
European
2016
In the wake of the Second World War, ideas of Europe abounded. What did Europe mean as a concept, and what did it mean to be European? Europeanising Spaces in Paris, c. 1947-1962 makes the case that Paris was both a leading and distinctive forum for the expression of these ideas in the post-war period. It examines spaces in the French capital in which ideas about Europe were formulated, articulated, exchanged, circulated, and contested during this post-war period, roughly between the escalation of the Cold War and the end of France's war of decolonisation in Algeria. Such processes of making sense of Europe are elucidated in urban, political and cultural spaces in the French capital. Specifically, the Parisian café, home and street are each examined in terms of how they were implicated in ideas about Europe. Then, the Paris-based Mouvement socialiste des états unis d'Europe (The Socialist Movement for the United States of Europe) and the far-right wing Fédération des étudiants nationalistes (The Federation of Nationalist Students) are examined as examples of political movements that mobilised around--very different--concepts of Europe. The final section on cultural Europeanising spaces draws attention to the specificities of the Europeanism of exiles from Franco's Spain in Paris; the work of the great scholar of the Arab world, Jacques Berque, in the context of his understanding of the Mediterranean world and his understanding of faith; and finally, the work of the legendary photographer, Henri Cartier-Bresson, by looking at the capacities and limitations of the photographic medium for the representation of Europe, and how these corresponded with Cartier-Bresson's political, social, and aesthetic commitments