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"France History Revolution, 1789-1799 Influence."
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Mourning sickness : Hegel and the French Revolution
This book explores Hegel's response to the French Revolutionary Terror and its impact on Germany. Like many of his contemporaries, Hegel was struck by the seeming parallel between the political upheaval in France and the upheaval in German philosophy inaugurated by the Protestant Reformation and brought to a climax by German Idealism. Many thinkers reasoned that a political revolution would be unnecessary in Germany, because this intellectual \"revolution\" had preempted it. Having already been through its own cataclysm, Germany would be able to extract the energy of the Revolution and channel its radicalism into thought. Hegel comes close to making such an argument too. But he also offers a powerful analysis of how this kind of secondhand history gets generated in the first place, and shows what is stake. This is what makes him uniquely interesting among his contemporaries: he demonstrates how a fantasy can be simultaneously deconstructed and enjoyed. Mourning Sickness provides a new reading of Hegel in the light of contemporary theories of historical trauma. It explores the ways in which major historical events are experienced vicariously, and the fantasies we use to make sense of them. Comay brings Hegel into relation with the most burning contemporary discussions around catastrophe, witness, memory, and the role of culture in shaping political experience.
eBook
Crescendo of the Virtuoso
During the Age of Revolution, Paris came alive with wildly popular virtuoso performances. Whether the performers were musicians or chefs, chess players or detectives, these virtuosos transformed their technical skills into dramatic spectacles, presenting the marvelous and the outré for spellbound audiences. Who these characters were, how they attained their fame, and why Paris became the focal point of their activities is the subject of Paul Metzner's absorbing study. Covering the years 1775 to 1850, Metzner describes the careers of a handful of virtuosos: chess masters who played several games at once; a chef who sculpted hundreds of four-foot-tall architectural fantasies in sugar; the first police detective, whose memoirs inspired the invention of the detective story; a violinist who played whole pieces on a single string. He examines these virtuosos as a group in the context of the society that was then the capital of Western civilization. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1999.
eBook
The revolting French, 1787-1889
Investigating the impact of revolution on the French from the Revolution of 1789 to its centenary in 1889, this title explores specific and linking factors in the main revolts and how historians have differed in their explanations.
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Napoleon and the Revolution
This new study of Napoleon emphasizes his ties to the French Revolution, his embodiment of its militancy, and his rescue of its legacies. Jordan's work illuminates all aspects of his fabulous career, his views of the Revolution and history, the artists who created and embellished his image, and much of his talk about himself and his achievements.
eBook
Teaching representations of the French Revolution
\"Offers techniques for teaching literature of the French Revolution in college courses, including considerations of the revolution's effects on modern ideas, republicanism and human rights, laïcité, and Charlie Hebdo, along with comparative approaches involving Germany, Greece, Haiti, Italy, Latin America, and Spain. Provides bibliographical resources, a timeline, and filmography\"-- Provided by publisher.
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The Cambridge companion to British literature of the French Revolution in the 1790s
\"The French Revolution ignited the biggest debate on politics and society in Britain since the Civil War 150 years earlier. The public controversy lasted from the initial, positive reaction to French events in 1789 to the outlawing of the radical societies in 1799. This Cambridge Companion highlights the energy, variety and inventiveness of the literature written in response to events in France and the political reaction at home. It contains thirteen specially commissioned essays by an international team of historians and literary scholars, a chronology of events and publications, and an extensive guide to further reading. Six essays concentrate on the principal writers of the Revolution controversy: Burke, Paine, Godwin and Wollstonecraft. Others deal with popular radical culture, counter-revolutionary culture, the distinctive contribution of women writers, novels of opinion, drama, and poetry. This volume will serve as a comprehensive yet accessible reference work for students, advanced researchers and scholars\"-- Provided by publisher.
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The Sentimental Theater of the French Revolution
Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.
eBook