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This book explores Hegel's response to the French Revolutionary Terror and its impact on Germany. Like many of his contemporaries, Hegel was struck by the seeming parallel between the political upheaval in France and the upheaval in German philosophy inaugurated by the Protestant Reformation and brought to a climax by German Idealism. Many thinkers reasoned that a political revolution would be unnecessary in Germany, because this intellectual \"revolution\" had preempted it. Having already been through its own cataclysm, Germany would be able to extract the energy of the Revolution and channel its radicalism into thought. Hegel comes close to making such an argument too. But he also offers a powerful analysis of how this kind of secondhand history gets generated in the first place, and shows what is stake. This is what makes him uniquely interesting among his contemporaries: he demonstrates how a fantasy can be simultaneously deconstructed and enjoyed. Mourning Sickness provides a new reading of Hegel in the light of contemporary theories of historical trauma. It explores the ways in which major historical events are experienced vicariously, and the fantasies we use to make sense of them. Comay brings Hegel into relation with the most burning contemporary discussions around catastrophe, witness, memory, and the role of culture in shaping political experience.

01 02 Napoleon was much more than a warlord consumed by vanity and ambition. He was the very spirit of the militant Revolution. Virtually everything he did during the fifteen years of his preponderance was derived from and linked to the French Revolution. Much of his hold over contemporaries was his embodiment of the aspirations as well as the boundless energy of the Revolution. Even his enemies, foreign and domestic, were fascinated by the man and uniformly saw him as 'the Revolution on horseback'. He fought off vengeful reactionary powers long enough for the Revolution to sink deep and permanent roots in France. The Allies who finally defeated Napoleon found it impossible to undo his subversive work - the genii of the Revolution was out of the bottle, and for good. Through his incessant table talk and dictated autobiography he focused the attention of posterity, inculcating his version of himself, events, and their significance. 08 02 'David Jordan has a clear thesis - that Napoleon not only inherited the political changes made possible by the French Revolution but inadvertantly helped to make them permanent. The book is written with a certain panache, and Napoleon emerges as a more complex figure than has been suggested by many of his biographers' - Professor Alan Forrest, University of York, UK 04 02 Preface Acknowledgements Prologue: Napoleon and the French Revolution Becoming a Revolutionary First Revolutionary Steps Italy the Imperial Revolution Egypt Power Entr'acte: Revolution and Empire The Weapons of Revolution Entr'acte: A Sighting in Jena Napoleon at Zenith Entr'acte: Napoleon and the Political Culture of the French Revolution Catastrophe and Decline Entr'acte: Napoleon Explains the Revolution Napoleon Brought to Bay Ending the Revolution Entr'acte: Reputation The End of the End Game Death and Rebirth Epilogue: Napoleon and the Revolutionary Tradition Appendix: Some Remarks about Arsenic Poisoning Notes Bibliography 02 02 This new study of Napoleon emphasizes his ties to the French Revolution, his embodiment of its militancy, and his rescue of its legacies. Jordan's work illuminates all aspects of his fabulous career, his views of the Revolution and history, the artists who created and embellished his image, and much of his talk about himself and his achievements. 13 02 DAVID P. JORDAN was born in Detroit, Michigan and educated at the University of Michigan and Yale University, USA. He is the author of books on Edward Gibbon, the French Revolution, and Paris, is a passionate chamber music player and lives with his wife and daughter in Chicago, where he taught for many years. 19 02 The book makes the argument for Napoleon as the inadvertent saviour of the French Revolution, a thesis that has not hitherto been argued in this way The story of his fabulous career stressing his cultural achievements as well as his more traditional political and military accomplishments The structure of the book, using topical chapters (the Entr'actes) to interrupt the chronological narrative not only distinguishes the work from the more conventional treatments of Napoleon but explores topics not usually tackled in biographies 31 02 A study of Napoleon that argues he was not merely the heir of the Revolution but its embodiment, and his career, largely inadvertently, preserved its principle achievements

Investigating the impact of revolution on the French from the Revolution of 1789 to its centenary in 1889, this title explores specific and linking factors in the main revolts and how historians have differed in their explanations.

This book explores the evolution of British identity and participatory politics in the 1790s. Wil Verhoeven argues that in the course of the French Revolution debate in Britain, the idea of 'America' came to represent for the British people the choice between two diametrically opposed models of social justice and political participation. Yet the American Revolution controversy in the 1790s was by no means an isolated phenomenon. The controversy began with the American crisis debate of the 1760s and 1770s, which overlapped with a wider Enlightenment debate about transatlantic utopianism. All of these debates were based in the material world on the availability of vast quantities of cheap American land. Verhoeven investigates the relation that existed throughout the eighteenth century between American soil and the discourse of transatlantic utopianism: between America as a physical, geographical space, and 'America' as a utopian/dystopian idea-image.

\"Offers techniques for teaching literature of the French Revolution in college courses, including considerations of the revolution's effects on modern ideas, republicanism and human rights, laïcité, and Charlie Hebdo, along with comparative approaches involving Germany, Greece, Haiti, Italy, Latin America, and Spain. Provides bibliographical resources, a timeline, and filmography\"-- Provided by publisher.

Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.

\"The French Revolution ignited the biggest debate on politics and society in Britain since the Civil War 150 years earlier. The public controversy lasted from the initial, positive reaction to French events in 1789 to the outlawing of the radical societies in 1799. This Cambridge Companion highlights the energy, variety and inventiveness of the literature written in response to events in France and the political reaction at home. It contains thirteen specially commissioned essays by an international team of historians and literary scholars, a chronology of events and publications, and an extensive guide to further reading. Six essays concentrate on the principal writers of the Revolution controversy: Burke, Paine, Godwin and Wollstonecraft. Others deal with popular radical culture, counter-revolutionary culture, the distinctive contribution of women writers, novels of opinion, drama, and poetry. This volume will serve as a comprehensive yet accessible reference work for students, advanced researchers and scholars\"-- Provided by publisher.

The French Revolution ignited the biggest debate on politics and society in Britain since the Civil War 150 years earlier. The public controversy lasted from the initial, positive reaction to French events in 1789 to the outlawing of the radical societies in 1799. This Cambridge Companion highlights the energy, variety and inventiveness of the literature written in response to events in France and the political reaction at home. It contains thirteen specially commissioned essays by an international team of historians and literary scholars, a chronology of events and publications, and an extensive guide to further reading. Six essays concentrate on the principal writers of the Revolution controversy: Burke, Paine, Godwin and Wollstonecraft. Others deal with popular radical culture, counter-revolutionary culture, the distinctive contribution of women writers, novels of opinion, drama, and poetry. This volume will serve as a comprehensive yet accessible reference work for students, advanced researchers and scholars.