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Just Flesh and Blood is the highly anticipated conclusion in the popular trilogy about Queen Elizabeth I. 'A terrible dread took hold in my belly. The only bed left to me was my deathbed and I was not ready for that – not yet. No, not yet.' Although she lies unmoving on a pile of cushions, Elizabeth is a survivor. The unwanted daughter of an executed queen, she endured the perils of her childhood to take the throne as Queen of England. Just a girl at coronation, Elizabeth has now ruled for over four decades, withstanding political upheavals, war and plots against her life. But as she contemplates the successes and failures of that life, she weighs up all that she has relinquished – love, marriage, children, family of any kind – for power. She was not just a queen, but a flesh-and-blood woman – will her final moments be ones of regret? In this bittersweet book readers will be filled with admiration and compassion for a woman who grasped her destiny with both hands and, by doing so, made herself one of the greats of history.

Ireland, 1593 Grace O'Malley is the greatest pirate that ever lived, the terror of the Irish Sea. Her gang of cut-throats rule the waves ... until Grace is captured! But instead of being hanged, she is sent to London - by royal command. What will happen when the Queen of the Pirates meets the Queen of England? A fantastic story blending pirate legend with historical fact and Terry Deary 's vividly imagined characters!.

Plymouth, 1577 Tom is a cabin boy for Captain Francis Drake, on his mission to steal South American gold from the Spanish fleet. Can Tom survive the trip round the world, through waves three times the height of their tiny ship, help Drake defeat the Spanish galleons - and come back rich? A fantastic story blending pirate legend with historical fact and Terry Deary 's vividly imagined characters!.

Daughter of the tyrannical Henry VIII and sister of the embittered Queen Mary, Elizabeth Idid well to survive her childhood. Clever, learned and skilled indiplomacy, as Queen she presided over a golden age of literature,exploration and discovery.

Taking its title from Umberto Eco’s postscript to The Name of the Rose, the novel that inaugurated the New Historical Fiction in the early 1980s, Constructing the World provides a guide to the genre’s defining characteristics. It also serves as a lively account of the way Shakespeare, Marlowe, Raleigh, Queen Elizabeth I, and their contemporaries have been depicted by such writers as Anthony Burgess, George Garrett, Patricia Finney, Barry Unsworth, and Rosalind Miles. Innovative historical novels written during the past two or three decades have transformed the genre, producing some extraordinary bestsellers as well as less widely read serious fiction. Shakespearean scholar Martha Tuck Rozett engages in an ongoing conversation about the genre of historical fiction, drawing attention to the metacommentary contained in “Afterwords” or “Historical Notes”; the imaginative reconstruction of the diction and mentality of the past; the way Shakespearean phrases, names, and themes are appropriated; and the counterfactual scenarios writers invent as they reinvent the past.