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London and the Making of Provincial Literature
In the early nineteenth century, London publishers dominated the transatlantic book trade. No one felt this more keenly than authors from Ireland, Scotland, and the United States who struggled to establish their own national literary traditions while publishing in the English metropolis. Authors such as Maria Edgeworth, Sydney Owenson, Walter Scott, Washington Irving, and James Fenimore Cooper devised a range of strategies to transcend the national rivalries of the literary field. By writing prefaces and footnotes addressed to a foreign audience, revising texts specifically for London markets, and celebrating national particularity, provincial authors appealed to English readers with idealistic stories of cross-cultural communion. From within the messy and uneven marketplace for books, Joseph Rezek argues, provincial authors sought to exalt and purify literary exchange. In so doing, they helped shape the Romantic-era belief that literature inhabits an autonomous sphere in society.
London and the Making of Provincial Literaturetells an ambitious story about the mutual entanglement of the history of books and the history of aesthetics in the first three decades of the nineteenth century. Situated between local literary scenes and a distant cultural capital, enterprising provincial authors and publishers worked to maximize success in London and to burnish their reputations and build their industry at home. Examining the production of books and the circulation of material texts between London and the provincial centers of Dublin, Edinburgh, and Philadelphia, Rezek claims that the publishing vortex of London inspired a dynamic array of economic and aesthetic practices that shaped an era in literary history.
eBook
The Methuen drama anthology of Irish plays
A collection of five plays from the last sixty years of Irish drama featuring work by Behan, Barry, Reid, Murphy, and McDonagh, and introduced by Patrick Lonergan.
Book
Becoming American under Fire
InBecoming American under Fire, Christian G. Samito provides a rich account of how African American and Irish American soldiers influenced the modern vision of national citizenship that developed during the Civil War era. By bearing arms for the Union, African Americans and Irish Americans exhibited their loyalty to the United States and their capacity to act as citizens; they strengthened their American identity in the process. Members of both groups also helped to redefine the legal meaning and political practices of American citizenship.
For African American soldiers, proving manhood in combat was only one aspect to their quest for acceptance as citizens. As Samito reveals, by participating in courts-martial and protesting against unequal treatment, African Americans gained access to legal and political processes from which they had previously been excluded. The experience of African Americans in the military helped shape a postwar political movement that successfully called for rights and protections regardless of race.
For Irish Americans, soldiering in the Civil War was part of a larger affirmation of republican government and it forged a bond between their American citizenship and their Irish nationalism. The wartime experiences of Irish Americans helped bring about recognition of their full citizenship through naturalization and also caused the United States to pressure Britain to abandon its centuries-old policy of refusing to recognize the naturalization of British subjects abroad.
As Samito makes clear, the experiences of African Americans and Irish Americans differed substantially-and at times both groups even found themselves violently opposed-but they had in common that they aspired to full citizenship and inclusion in the American polity. Both communities were key participants in the fight to expand the definition of citizenship that became enshrined in constitutional amendments and legislation that changed the nation.
eBook
Beyond realism : experimental and unconventional Irish drama since the revival
\"When W.B. Yeats and Lady Gregory set out in 1897 to create an Irish theatre, they expressed their openness to dramatic experimentation. However, the Abbey Theatre that was their legacy increasingly came to resist non-traditional dramaturgy. Ranging over a period of more than a century, the essays in Beyond Realism focus on theatre that has challenged what came to be perceived as the dominance of realism in Irish drama. The contributors demonstrate that, in the first half of the twentieth century, playwrights such as George Fitzmaurice, Sean O'Casey, and Jack B. Yeats produced unconventional theatre that challenged the norm of realism; they show that Irish dramatists since the 1980s, including Thomas Kilroy, Vincent Woods, and Patricia Burke Brogan further broadened the range of theatrical methods. The concluding essays on contemporary works that use multiple techniques, technology, and site-specific locations suggest that non-realistic, highly theatrical approaches are no longer the exception in Irish drama\"--Back cover.
Book
Coire Sois, The Cauldron of Knowledge
Coire Sois, The Cauldron of Knowledge: A Companion to Early Irish Saga offers thirty-one previously published essays by Tomás Ó Cathasaigh, which together constitute a magisterial survey of early Irish narrative literature in the vernacular.
Ó Cathasaigh has been called \"the father of early Irish literary criticism,\" with writings among the most influential in the field. He pioneered the analysis of the classic early Irish tales as literary texts, a breakthrough at a time when they were valued mainly as repositories of grammatical forms, historical data, and mythological debris. All four of the Mythological, Ulster, King, and Finn Cycles are represented here in readings of richness, complexity, and sophistication, supported by absolute philological rigor and yet easy for the non-specialist to follow. The book covers key terms, important characters, recurring themes, rhetorical strategies, and the narrative logic of this literature. It also surveys the work of the many others whose explorations were launched by Ó Cathasaigh's first encounters with the literature.
As the most authoritative single volume on the essential texts and themes of early Irish saga, this collection will be an indispensable resource for established scholars, and an ideal introduction for newcomers to one of the richest and most under-studied literatures of medieval Europe.
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Women, writing, and language in early modern Ireland
This book examines writing in English, Irish, and Spanish by women living in Ireland and by Irish women living on the continent between the years 1574 and 1676. This was a tumultuous period of political, religious, and linguistic contestation that encompassed the key power‐struggles of early modern Ireland. This study brings to light the ways in which women contributed; they strove to be heard and to make sense of their situations, forging space for their voices in complex ways and engaging with native and new language‐traditions. The book investigates the genres in which women wrote: poetry, nuns' writing, petition‐letters, depositions, biography, and autobiography. It argues for a complex understanding of authorial agency that centres on the act of creating or composing a text, which does not necessarily equate with the physical act of writing. The Irish, English, and European contexts for women's production of texts are identified and assessed. The literary traditions and languages of the different communities living on the island are juxtaposed in order to show how identities were shaped and defined in relation to each other. The book elucidates the social, political, and economic imperatives for women's writing, examines the ways in which women characterized female composition, and describes an extensive range of cross‐cultural, multilingual activity.
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The Harp and the Eagle
On the eve of the Civil War, the Irish were one of America's largest ethnic groups, and approximately 150,000 fought for the Union. Analyzing letters and diaries written by soldiers and civilians; military, church, and diplomatic records; and community newspapers, Susannah Ural Bruce significantly expands the story of Irish-American Catholics in the Civil War, and reveals a complex picture of those who fought for the Union.While the population was diverse, many Irish Americans had dual loyalties to the U.S. and Ireland, which influenced their decisions to volunteer, fight, or end their military service. When the Union cause supported their interests in Ireland and America, large numbers of Irish Americans enlisted. However, as the war progressed, the Emancipation Proclamation, federal draft, and sharp rise in casualties caused Irish Americans to question - and sometimes abandon - the war effort because they viewed such changes as detrimental to their families and futures in America and Ireland.By recognizing these competing and often fluid loyalties, The Harp and the Eagle sheds new light on the relationship between Irish-American volunteers and the Union Army, and how the Irish made sense of both the Civil War and their loyalty to the United States.
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