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A fantastic collection of legends about the Greek king of Ithaca, Odysseus, also known by his Latin name of Ulysses, written by English essayist Charles Lamb.

How science fiction films in the 1950s were marketed and helped create the broader genre itself. For Hollywood, the golden age of science fiction was also an age of anxiety. Amid rising competition, fluid audience habits, and increasing government regulation, studios of the 1950s struggled to make and sell the kinds of films that once were surefire winners. These conditions, the leading media scholar J. P. Telotte argues, catalyzed the incredible rise of science fiction. Though science fiction films had existed since the earliest days of cinema, the SF genre as a whole continued to resist easy definition through the 1950s. In grappling with this developing genre, the industry began to consider new marketing approaches that viewed films as fluid texts and audiences as ever-changing. Drawing on trade reports, film reviews, pressbooks, trailers, and other archival materials, Selling Science Fiction Cinema reconstructs studio efforts to market a promising new genre and, in the process, shows how salesmanship influenced what that genre would become. Telotte uses such films as The Thing from Another World , Forbidden Planet , and The Blob , as well as the influx of Japanese monster movies, to explore the shifting ways in which the industry reframed the SF genre to market to no-longer static audience expectations. Science fiction transformed the way Hollywood does business, just as Hollywood transformed the meaning of science fiction.

Juvenile drug courts are on the rise in the United States, as a result of a favorable political climate and justice officials' endorsement of the therapeutic jurisprudence movement--the concept of combining therapeutic care with correctional discipline. The goal is to divert nonviolent youth drug offenders into addiction treatment instead of long-term incarceration. Discretionary Justice overviews the system, taking readers behind the scenes of the juvenile drug court. Based on fifteen months of ethnographic fieldwork and interviews at a California court, Leslie Paik explores the staff's decision-making practices in assessing the youths' cases, concentrating on the way accountability and noncompliance are assessed. Using the concept of \"workability,\" Paik demonstrates how compliance, and what is seen by staff as \"noncompliance,\" are the constructed results of staff decisions, fluctuating budgets, and sometimes questionable drug test results. While these courts largely focus on holding youths responsible for their actions, this book underscores the social factors that shape how staff members view progress in the court. Paik also emphasizes the perspectives of children and parents. Given the growing emphasis on individual responsibility in other settings, such as schools and public welfare agencies, Paik's findings are relevant outside the juvenile justice system.

One hundred fifty years later, Jules Verne's epic novel of science and adventure is just as thrilling as when it was first published  A dirty slip of parchment falls from the pages of an ancient manuscript. Deciphered by the indefatigable Otto Liedenbrock, professor of geology, and his reluctant nephew, Axel, the parchment's coded message is a wild assertion made by a medieval alchemist: Inside a volcano in Iceland is a passageway to the center of the earth. Impossible, says Axel—the temperature of the earth's core is far too high for any human being to go near it. That is one theory, the professor replies. Two days later, they embark on a journey so fantastic it will alter the very meaning of history.     First published in 1864, Journey to the Center of the Earth is a cornerstone of science fiction and one of the greatest stories ever told. This ebook edition contains the classic Ward Lock & Co. translation of 1877, one of the first English-language versions faithful to the original French.   This ebook has been professionally proofread to ensure accuracy and readability on all devices.

In a companion book to the best-selling Stories from Ancient Egypt, Joyce Tyldesley re-tells some of the most interesting and entertaining myths and legends from the Classical world. These stories tell us how the spider spun the first web, how a simple ball of string defeated the fearsome minotaur, and how Romulus founded the mighty city of Rome. The “this book belongs to\" introductions teaches the reader how to write their name using ancient Greek letters, and their age using Roman numerals. Each of the stories includes a question and answer section for enthusiastic young archaeologists. The book is illustrated with imaginative and amusing line-drawings by acclaimed artist and archaeologist Julian Heath. Stories from Ancient Greece and Rome is primarily aimed at children between the ages of 7-11, but it offers an entertaining and informative introduction to the myths of ancient Greece and Rome to readers of all ages. In a companion book to the best-selling Stories from Ancient Egypt, Joyce Tyldesley retells some of the most interesting and entertaining myths and legends from the Classical world. These stories tell us how the spider spun the first web, how a simple ball of string defeated the fearsome minotaur, and how Romulus founded the mighty city of Rome. The “this book belongs to\" introductions teaches the reader how to write their name using ancient Greek letters, and their age using Roman numerals. Each of the stories includes a question and answer section for enthusiastic young archaeologists. The book is illustrated with imaginative and amusing line-drawings by acclaimed artist and archaeologist Julian Heath. Stories from Ancient Greece and Rome is primarily aimed at children between the ages of 7-11, but it offers an entertaining and informative introduction to the myths of ancient Greece and Rome to readers of all ages.

We're like a new toy ... or a new energy source, and they're just playing with us, experimenting. Working out what we can do. What they can do with us.\" Mikki and the others live at \"the farm\", an advanced learning facility, a think-tank for a bunch of young people with very high IQs. But what is really going on at the farm? And what about the five much younger children known as the Babies, frail as butterflies? Brian Caswell's new novel explores the power of love . and presents readers with an intriguing jigsaw puzzle of suspense.

Microbial Biodegradation and Bioremediation brings together experts in relevant fields to describe the successful application of microbes and their derivatives for bioremediation of potentially toxic and relatively novel compounds.

The Trianon Treaty of 1920 forced new realities upon Hungarians living in both what was left of Hungary and in the United States, while rising anti-immigrant sentiments in the New World culminating in the passing of the Johnson–Reed Act of 1924 further complicated the situation. With hundreds of thousands of ethnic Hungarians resettling into smaller Hungary from the territories forcefully ceded to the successor states, Budapest was not interested in large-scale remigration from the US. At the same time, American immigration restriction drastically cut off the flow of Hungarian migrants to the New World communities established at the time of the “new immigration.” American popular culture (especially music, movies, and pulp fiction) took Hungary by storm and further strengthened the overtly positive image of the Transatlantic Promised Land. Travel writing continued to play a dominant role in shaping mutual images, and a new subgenre, juvenile male travel literature, emerged. Taking a closer look at the works of Lola Réz Kosáryné, Andor Kun, and Gedeon Mészöly I explain how tourism, romanticized images of the “Other,” and government propaganda mingled in these texts in what seems to be a concerted attempt to help young Hungarians come to terms with interwar political realities.

Once deemed the \"custodian of the twilight zone\" by Southern Living, celebrated storyteller and ghost hunter Nancy Roberts returns to familiar subject matter in this newly expanded edition of her Ghosts of the Wild West, a finalist for the Spur Award of the Western Writers of America in its original edition. In these seventeen ghostly tales—including five new stories—Roberts expertly guides readers through eerie encounters and harrowing hauntings across Kansas, Montana, Wyoming, Colorado, Arizona, New Mexico, Texas, and the Dakotas. Along the way her accounts intersect with the lives (and afterlives) of legendary figures such as Wild Bill Hickok, Wyatt Earp, Bat Masterson, and Doc Holliday. Roberts also justifies the fascination among ghost hunters, folklorists, and interested tourists with notoriously haunted locales such as Deadwood, Tombstone, and Abilene through her tales of paranormal legends linked to these gunslinger towns synonymous with violence and vice in Western lore. But not all of these encounters feature frightening specters or wandering souls. Roberts also details episodes of animal spirits, protective presences, and supernatural healings. Forever destined to be associated with adventure, romance, and risk taking, the Wild West of yore still haunts the American imagination. Roberts reminds us here that our imaginations aren't the only places where restless ghosts still roam.

This article examines Devorah Omer’s first two historical children’s novels, Ben-Yehuda’s Eldest Son and Sarah, Heroine of NILI (both published in 1967), as a case study for the ideological role played by historical fiction for children and youth in 1960s Israel. A comparison of the novels with the historical sources on which Omer relied reveals how the selection of the figures of Sarah Aaronsohn and Itamar Ben-Avi allowed her to create a narrative that crossed the political divide while presenting the difficulties experienced by children and women in their encounters with the national myth. Omer’s novels thus play a dual role: they preserve the Zionist narrative and shape a collective memory consistent with the establishment of a sovereign Jewish state, while also raising issues that call into question the national narrative’s hegemonic status.