Search Results Heading

MBRLSearchResults

mbrl.module.common.modules.added.book.to.shelf
Title added to your shelf!
View what I already have on My Shelf.
Oops! Something went wrong.
Oops! Something went wrong.
While trying to add the title to your shelf something went wrong :( Kindly try again later!
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
    Done
    Filters
    Reset
  • Discipline
      Discipline
      Clear All
      Discipline
  • Is Peer Reviewed
      Is Peer Reviewed
      Clear All
      Is Peer Reviewed
  • Series Title
      Series Title
      Clear All
      Series Title
  • Reading Level
      Reading Level
      Clear All
      Reading Level
  • Year
      Year
      Clear All
      From:
      -
      To:
  • More Filters
      More Filters
      Clear All
      More Filters
      Content Type
    • Item Type
    • Is Full-Text Available
    • Subject
    • Publisher
    • Source
    • Donor
    • Language
    • Place of Publication
    • Contributors
    • Location
43 result(s) for "Journalism and literature United States History 19th century."
Sort by:
Women Writers and Journalists in the Nineteenth-Century South
The first study to focus on white and black women journalists and writers both before and after the Civil War, this book offers fresh insight into Southern intellectual life, the fight for women's rights and gender ideology. Based on new research into Southern magazines and newspapers, this book seeks to shift scholarly attention away from novelists and toward the rich and diverse periodical culture of the South between 1820 and 1900. Magazines were of central importance to the literary culture of the South because the region lacked the publishing centers that could produce large numbers of books. As editors, contributors, correspondents and reporters in the nineteenth century, Southern women entered traditionally male bastions when they embarked on careers in journalism. In so doing, they opened the door to calls for greater political and social equality at the turn of the twentieth century.
Women writers and journalists in the nineteenth-century south
\"The first study to focus on white and black women journalists and writers both before and after the Civil War, this book offers fresh insight into southern intellectual life, the fight for women's rights, and gender ideology. Based on fresh research into southern magazines and newspapers, this book seeks to shift scholarly attention away from novelists and toward the rich and diverse periodical culture of the South between 1820 and 1900. Magazines were of central importance to the literary culture of the South because the region lacked the publishing centers that could produce large numbers of books. Easily portable, newspapers and magazines could be sent through the increasingly sophisticated postal system for relatively low subscription rates. The mix of content, from poetry to short fiction and literary reviews to practical advice and political news, meant that periodicals held broad appeal. As editors, contributors, correspondents, and reporters in the nineteenth century, southern women entered traditionally male bastions when they embarked on careers in journalism. In so doing, they opened the door to calls for greater political and social equality at the turn of the twentieth century\"-- Provided by publisher.
Citizens in a strange land : a study of German-American broadsides and their meaning for Germans in North America, 1730-1830
In Citizens in a Strange Land, Hermann Wellenreuther examines the broadsides—printed single sheets—produced by the Pennsylvania German community. These broadsides covered topics ranging from local controversies and politics to devotional poems and hymns. Each one is a product of and reaction to a particular historical setting. To understand them fully, Wellenreuther systematically reconstructs Pennsylvania's print culture, the material conditions of life, the problems German settlers faced, the demands their communities made on the individual settlers, the complications to be overcome, and the needs to be satisfied. He shows how these broadsides provided advice, projections, and comment on phases of life from cradle to grave.
Between the Novel and the News
While American literary history has long acknowledged the profound influence of journalism on canonical male writers, Sari Edelstein argues that American women writers were also influenced by a dynamic relationship with the mainstream press. From the early republic through the turn of the twentieth century, she offers a comprehensive reassessment of writers such as Catharine Maria Sedgwick, Harriet Jacobs, and Charlotte Perkins Gilman. Drawing on slave narratives, sentimental novels, and realist fiction, Edelstein examines how advances in journalism-including the emergence of the penny press, the rise of the story-paper, and the birth of eyewitness reportage-shaped not only a female literary tradition but also gender conventions themselves. Excluded from formal politics and lacking the vote, women writers were deft analysts of the prevalent tropes and aesthetic gestures of journalism, which they alternately relied upon and resisted in their efforts to influence public opinion and to intervene in political debates. Ultimately,Between the Novel and the Newsis a project of recovery that transforms our understanding of the genesis and the development of American women's writing.
Reading for Liberalism
Founded in 1868, theOverland Monthlywas a San Francisco-based literary magazine whose mix of humor, pathos, and romantic nostalgia for a lost frontier was an immediate sensation on the East Coast. Due in part to a regional desire to attract settlers and financial investment, the essays and short fiction published in theOverland Monthlyoften portrayed the American West as a civilized evolution of, and not a savage regression from, eastern bourgeois modernity and democracy. Stories about the American West have for centuries been integral to the way we imagine freedom, the individual, and the possibility for alternate political realities.Reading for Liberalismexamines the shifting literary and narrative construction of liberal selfhood in California in the late nineteenth century through case studies of a number of western American writers who wrote for theOverland Monthly, including Noah Brooks, Ina Coolbrith, Bret Harte, Jack London, John Muir, and Frank Norris, among others.Reading for Liberalismargues that Harte, the magazine's founding editor, and the other members of theOverlandgroup critiqued and reimagined the often invisible fabric of American freedom.Reading for Liberalismuncovers and examines in the text of theOverland Monthlythe relationship between wilderness, literature, race, and the production of individual freedom in late nineteenth-century California.
The Declaration in Script and Print
Perhaps the single most important founding document of the United States of America, the Declaration of Independence became both a work of art and a mass-market commodity during the nineteenth century. In this book, graphic arts historian John Bidwell traces the fascinating history of Declaration prints and broadsides and reveals the American public's changing attitudes toward this iconic text. The new and improved intaglio, letterpress, and lithographic printing technologies of the nineteenth century led to increasingly elaborate reproductions of the Declaration. Some were touted as precious relics; others were aimed at the bottom of the market. Rival publishers claimed to have produced the definitive visualization of the document, attacking the character and patriotism of other firms even as they promoted their own artistic abilities and attention to detail. Meanwhile, painter John Trumbull attempted to sell subscriptions for an engraved version of his Declaration painting, and John Quincy Adams-then secretary of state-commissioned an official 1823 edition in response to the feuding facsimilists seeking government patronage. Bidwell unravels the intricate web of rivalries surrounding these competing publications. Featuring a comprehensive checklist of nearly two hundred prints and broadsides drawn from various collections, this engrossing history highlights the proliferation and widespread influence of the Declaration of Independence on American popular culture. It will be equally esteemed by general readers interested in American history, print and autograph collectors, and art and book historians.
The Rise and Fall of Early American Magazine Culture
Between the newly canonized novels of the 1790s and the long-familiar novels of the 1820s, early American literary magazines figured themselves as museums, bringing together a multitude of notable content and enabling readers to choose what to consume. A transatlantic literary form that refused to break with British cultural models and genealogy, the early American magazine had at its center the anonymous authority of the editor and a porous distinction between reader and author. Esteemed subscribers were treated as magnets to attract other subscribers, and subscribers were prompted to become contributors, giving these early American publications the appearance of public forums. The Rise and Fall of Early American Magazine Culture reexamines these publications and their reach to show how magazine culture was multivocal, as opposed to novel culture, which imposed a one-sided authorial voice and restricted the agency of the reader._x000B__x000B_In this first book-length study of the history of American magazine culture in the colonial and early national period, Jared Gardner describes how those who invested considerable energies in this form--including some of the period's most important political and literary figures such as Charles Brockden Brown and Washington Irving--sought to establish a very different model of literary culture than what came to define American literary history and its scholarship. He cautions against privileging novels or authors as the essential touchstones of American literary history and instead encourages an understanding of how the \"editorial function\" favored by magazine culture shaped reading and writing practices._x000B__x000B_Countering assumptions about early American print culture and challenging our scholarly fixation on the novel, Gardner reimagines the early American magazine as a rich literary culture that operated as a model for nation-building by celebrating editorship over authorship and serving as a virtual salon in which citizens were invited to share their different perspectives. This important work revisits largely lost interventions in the forms and politics of literature and sounds a vibrant call to radically revise early American literary history.
Beyond the Pulpit
In the formative years of the Methodist Church in the United States, women played significant roles as proselytizers, organizers, lay ministers, and majority members. Although women's participation helped the church to become the nation's largest denomination by the mid-nineteenth century, their official roles diminished during that time. InBeyond the Pulpit,Lisa Shaver examines Methodist periodicals as a rhetorical space to which women turned to find, and make, self-meaning.In 1818,Methodist Magazinefirst published \"memoirs\" that eulogized women as powerful witnesses for their faith on their deathbeds. As Shaver observes, it was only in death that a woman could achieve the status of minister. Another Methodist publication, theChristian Advocate,was America's largest circulated weekly by the mid-1830s. It featured the \"Ladies' Department,\" a column that reinforced the canon of women as dutiful wives, mothers, and household managers. Here, the church also affirmed women in the important rhetorical and evangelical role of domestic preacher. Outside the \"Ladies Department,\" women increasingly appeared in \"little narratives\" in which they were portrayed as models of piety and charity, benefactors, organizers, Sunday school administrators and teachers, missionaries, and ministers' assistants. These texts cast women into nondomestic roles that were institutionally sanctioned and widely disseminated.By 1841, theLadies' Repository and Gatherings of the Westwas engaging women in discussions of religion, politics, education, science, and a variety of intellectual debates. As Shaver posits, by providing a forum for women writers and readers, the church gave them an official rhetorical space and the license to define their own roles and spheres of influence. As such, the periodicals of the Methodist church became an important public venue in which women's voices were heard and their identities explored.