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The Journalist and Memoirist
García Márquez, we saw in chapter 3, started his professional writing career as a journalist, first churning out personal columns and, later, news stories for the daily press. In many ways he was to stay with the job and its craft. “A reporter,” he noted in aPlayboyinterview, “is something I’ve never stopped being.”¹ At different moments in his long life as a narrative artist he would take a break from fiction and produce an item for the leading print media on some signal current event—for example on the case of Elián González, the six-year-old Cuban boy who
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