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253 result(s) for "Kings and rulers Fiction"
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With blood upon the sand
\"Çeda, now a Blade Maiden in service to the kings of Sharakhai, trains as one of their elite warriors, gleaning secrets even as they send her on covert missions to further their rule. She knows the dark history of the asirim--that hundreds of years ago they were enslaved to the kings against their will--but when she bonds with them as a Maiden, chaining them to her, she feels their pain as if her own. They hunger for release, they demand it, but with the power of the gods compelling them, they find their chains unbreakable. Çeda could become the champion they've been waiting for, but the need to tread carefully has never been greater. After their recent defeat at the hands of the rebel Moonless Host, the kings are hungry for blood, scouring the city in their ruthless quest for revenge. Çeda's friend Emre and his new allies in the Moonless Host hope to take advantage of the unrest in Sharakhai, despite the danger of opposing the kings and their god-given powers, and the Maidens and their deadly ebon blades. When Çeda and Emre are drawn into a plot of the blood mage Hamzakiir, they learn a devastating secret that may very well shatter the power of the hated kings. But it may all be undone if Çeda cannot learn to navigate the shifting tides of power in Sharakhai and control the growing anger of the asirim that threatens to overwhelm her...\" -- provided by publisher.
The king's stilts
When the King's stilts are stolen and hidden, and he can no longer enjoy his play hour, the whole kingdom is threatened with destruction until a brave page boy saves the day.
Aline et Valcour
Extrait: \"Nous soupâmes hier, Eugénie et moi, chez ta divinité, mon cher Valcour… Que faisais-tu?… Est-ce Jalousie?… Est-ce bouderie?… Est-ce crainte?… Ton absence fut pour nous une énigme, qu'Aline ne put ou ne voulut pas nous expliquer, et dont nous eûmes bien de la peine à comprendre le mot.\"
Cleopatra
Cleopatra is an iconic figure and one of the most powerful women inhistory. The last pharaoh of Egypt, and often depicted as a greatbeauty, she was renowned for her liaisons with the world's mostpowerful men, including Gaius Julius Caesar and Mark Antony. Thisfictional retelling of her life is a dramatic and thrilling story.Lives in Action is a series ofnarrative biographies that recount the lives of some of the key figuresin history. Page-turning, thrilling plots that read like fiction willkeep the most reluctant reader hooked.
Hero grown
\"Brann has come a long way since his days as a galley slave. At Lord Einarr's side, he must travel to the capital of the Empire to warn the Emperor about Loku and his depraved cult. But Loku already has the Emperor in his thrall, and his scheming ensures that Brann is enslaved once more. He is put to work in the fighting pits deep below the city, where a man might escape with his life, but not his soul. Brann emerges from the pits bent on revenge, determined to stop Loku. But first he must fight to recover the man that he once was, to become the hero he is meant to be.\"--Page 4 of cover.
A Connecticut Yankee in King Arthur's court
A Connecticut Yankee is Mark Twain's most ambitious work, a tour de force with a science-fiction plot told in the racy slang of a Hartford workingman, sparkling with literary hijinks as well as social and political satire. Mark Twain characterized his novel as \"one vast sardonic laugh at the trivialities, the servilities of our poor human race.\" The Yankee, suddenly transported from his native nineteenth-century America to the sleepy sixth-century Britain of King Arthur and the Round Table, vows brashly to \"boss the whole country inside of three weeks.\" And so he does. Emerging as \"The Boss,\" he embarks on an ambitious plan to modernize Camelot—with unexpected results.
The thief's daughter
\"Owen Kiskaddon first came to the court of the formidable King Severn as a prisoner, winning favor with the stormy monarch by masquerading as a boy truly blessed by the Fountain. Nine years hence, the once-fearful Owen has grown into a confident young man, mentored in battle and politics by Duke Horwath and deeply in love with his childhood friend, the duke's granddaughter. But the blissful future Owen and Elysabeth Mortimer anticipate seems doomed by the king's machinations\" -- back cover.
Tree of pearls : the extraordinary architectural patronage of the 13th-century Egyptian slave-queen Shajar al-Durr
The woman known as “Tree of Pearls” ruled Egypt in the summer of 1250. A rare case of a woman sultan, her reign marked the shift from the Ayyubid to the Mamluk dynasty, and her architectural patronage of two building complexes had a lasting impact on Cairo and on Islamic architecture. Rising to power from slave origins, Tree of Pearls—her name in Arabic is Shajar al-Durr—used her wealth and power to add a tomb to the urban madrasa (college) that had been built by her husband, Sultan Salih, and with this innovation, madrasas and many other charitably endowed architectural complexes became commemorative monuments, a practice that remains widespread today. This was the first occasion in Cairo in which a secular patron’s relationship to his architectural foundation was reified through the actual presence of his body. The tomb thus profoundly transformed the relationship between architecture and its patron, emphasizing and emblematizing his historical presence. Indeed, the characteristic domed skyline of Cairo that we see today is shaped by such domes that have kept the memory of their named patrons visible to the public eye. This dramatic transformation, in which architecture came to embody human identity, was made possible by the sultan-queen Shajar al-Durr, a woman who began her career as a mere slave-concubine. Her path-breaking patronage contradicts the prevailing assumption among historians of Islam that there was no distinctive female voice in art and architecture.