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44 result(s) for "Lotteries Fiction."
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Jackpot
\"When Rico sells a jackpot-winning lotto ticket, she thinks maybe her luck will finally change, but only if she and her popular and wildly rich classmate, Zan, can find the ticket holder who hasn't claimed the prize.\"-- Provided by publisher.
Connubial Adventurers: Playing the Matrimonial Lottery in British America
The connection between marriage and lotteries emerged along the first British state lotteries and persisted throughout the eighteenth century in British America, despite the well-documented rise of companionate marriage. Drawing extensively on newspapers, rather than fiction or prescriptive literature, Keiter reveals a deep current of skepticism about these changing ideals. Lottery analogies and satirical lottery schemes circulated widely, showing a shared set of expectations and concerns in the young nation. These tropes emphasized the continued centrality of wealth to marriage while suggesting that marital happiness remained a gamble with unfavorable odds.
Clownfish blues
\"If you're loud and proud Floridian Serge A. Storms, how do you follow up your very own remake of Easy Rider? You shoot your own 'episodes' of your favorite classic television show, Route 66! With Coleman riding shotgun, Serge is rolling down the highway of his dreams in a vintage silver convertible Corvette just like the snazzy car Martin Milner drove. It doesn't matter that the actual Route 66 didn't pass through Florida, for Serge discovers that a dozen episodes near the series' end were filmed (really!) in his beloved home state. So for Serge and the always toked and stoked Coleman, the Sunshine State is all the road you need to get your kicks. But their adventure traveling the byways of the Sunshine State's underbelly is about to take a detour. Someone is trying to tilt the odds in the state lottery amidst a conga line of huge jackpots spinning off more chaos than any hurricane season. With this much at stake, of course every shady character wants in. Crooked bodega owners, drug cartels laundering money through the lottery, and venture capitalists are all trying to game the system--and lining up to get their cut. They're also gambling with their lives, because when Serge and Coleman get hip to this timely (and very lucrative) trip, there's no telling whose number is up next. Throw in Brooke Campanella, Serge's old flame, as well as the perpetually star-crossed Reevis, and it's a sure bet that the ever lucky Serge will hit it big. Winning has never been this deadly--or this much fun!\"-- provided by publisher.
Postdecisional Counterfactual Thinking by Actors and Readers
How do individuals think counterfactually about the outcomes of their decisions? Most previous studies have investigated how readers think about fictional stories, rather than how actors think about events they have actually experienced. We assumed that differences in individuals' roles (actor vs. reader) can make different information available, which in turn can effect counterfactual thinking. Hence, we predicted an effect of role on postdecisional counterfactual thinking. Reporting the results of eight studies, we show that readers undo the negative outcome of a story by undoing the protagonist's choice to tackle a given problem, rather than the protagonist's unsuccessful attempt to solve it. But actors who make the same choice and experience the same negative outcome as the protagonist undo this outcome by altering features of the problem. We also show that this effect does not depend on motivational factors. These results contradict current accounts of counterfactual thinking and demonstrate the necessity of investigating the counterfactual thoughts of individuals in varied roles.
I am not Joey Pigza
Irrepressible Joey must draw upon all of his emotional reserves to face his latest challenge. His good-for-nothing dad shows up, having won the lottery and acquired a new identity. Carter Pigza is now Charles Heinz; he's won back Joey's mother, Fran (renamed Maria); and Joey is expected to forgive him his past sins and reinvent himself as Freddy Heinz. Dad has big plans for the family. He's bought a run-down diner and will use his son to drum up business by standing by the roadside in a bee costume. Mom is on a spending spree and pressures Joey to forgive his father and do as he says. But Joey senses how wrong this is, and his struggle is palpable. By the time he concedes, his father has given up on the diner idea and has spent all of his money on losing lottery tickets. As usual, when the chips are down, Carter takes off, just as Fran is about to have a baby. Gantos tells the tale with unfailing humor, delicious wordplay, and many hilarious scenes, but this is the darkest Joey book to date. Carter's unreliability is a given, but Fran Pigza's willingness to buy into the surreal scene is unsettling and underscores the fact that Joey is really on his own. Nevertheless, readers will cheer as his indomitable spirit prevails; he neither rescinds nor regrets his forgiveness, and he is thrilled to have a baby brother. The appearance of Junior Pigza promises a new purpose in Joey's life, the possibility of a future ally in his crazy world, and, perhaps, adventures to come.
Trois fois rien
Three homeless men who won the lottery need to find a way to claim their prize.
The unlucky lottery winners of Classroom 13
\"Unlucky teacher Ms. Linda LaCrosse wins the lottery and shares her winnings with her class. The students fulfill their dreams with their newfound wealth, but they soon learn that winning the lottery is not all that lucky\"-- Provided by publisher.
Lucky
A 90-year-old atheist and the quirky characters that inhabit his off the map desert town thrust into journey of self-exploration.
Fischer and Lamenting Nonexistence
Why do we wish to die later but do not wish to have been created earlier? There is no puzzle here. It is false that if we had been created earlier we would have lived longer lives. Why don’t we wish to have been created earlier but with our actual times of death? That wish simply is not mandated by the more general wish to have lived a longer life. Furthermore, one might prefer one’s actual life to the better, but considerably different, life one would have lived at an earlier time.