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"Mixed media."
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Share your joy : mixed media shareable art
\"Share Your Joy embraces shareable and mixed-media art through projects, prompts, and stories that invite you to explore your creativity and have fun with art supplies\"-- Provided by publisher.
Book
Textile Landscape
Textile Landscapes demonstrates how to develop your approach to textile art with a focus on using found objects and paint and stitch on cloth and paper.Cas explains how to exploit the contrast between the hands-on textural quality of working with fabrics and threads and the spontaneity and movement of brush marks to lend a painterly quality to your work.She begins with the basics – keeping a sketchbook to generate ideas, painting and stitching on cloth and on paper and working digitally; Inspiring Landscapes looks at natural and urban space, the changing seasons and great landscapes as well as intimate spaces and travel diaries; Painting and Marking with Cloth explains the practical aspects of painting and dyeing cloth and how to make connections between paint, print, dye, stencil and stitch; Stitch-scapes looks at the different forms of landscape, experimenting with photographs and prints and how to translate those images using ink, stitch, abstract and collage techniques and then at how to transform the image using digital techniques; On Closer Inspection covers using elements and details from landscape and the environment as found objects and for research; finally People and Place explores the relationship we have with the outdoors and the built environment, as well as personal interpretations of place.The book includes artworks by the author that explore the UK, USA, Europe and Australia, as well as works by other internationally renowned textile artists. A creative guide ideal for textile artists of all levels – students, teachers and practising artists and makers – to make unique and beautiful work inspired by the world around us.
eBook
Practical mixed-media printmaking
\"Practical Mixed-Media Printmaking is an essential introduction to printmaking using a wide range of low-cost materials. This practical guide includes easy-to-follow instructions, hints and tips on all of the main printmaking techniques, as well as over 90 examples of works by contemporary printmakers and 19 profiles explaining the artists' methods and inspiration. Mixed-media printmaking allows vast freedom for experimentation and armed with the knowledge inside this book it is possible to adapt and refine the basic techniques to suit your own projects. This beautiful book will be an inspiration for printmakers at all levels.\"--Publisher's description.
Book
Mixed media skills lab
\"This colorful art book inspires children to unleash their creativity as they learn how to use a variety of tools, media, and processes to create original works in mixed media. Mini-bio sections highlight the work of well-known artists and encourage readers to consider the artist's use of the elements of art and principles of design. Skill-building projects support readers as they learn techniques including layering, assemblage, and sgraffito\"-- Provided by publisher.
Book
Clean-Up Workers (Deluxe Series): The Embodiment of Waste Values and Aesthetics
Written from the perspective of practice-led research, this reflective case study rationalises and charts the production of ‘Clean-Up Workers (Deluxe Series)’—mixed media sculptures that embody notions of waste aesthetic, value and abjection. Integrating discourses surrounding waste theory and using the sink and plug as a metaphor to discuss Lacan’s theory of the objet petit a, the paper is presented as an autobiographical waste narrative. Production of a series of anatomical vacuum cleaners made from re-appropriated artwork found waste materials in the form of ‘pre-owned objects or materials’ and ‘by-products’ of a creative practice’, sit alongside crafted luxurious glass objects and speak of corporeal ageing, dysfunction and the domestic realm. Discarded objects take the form of car parts found in the non-places of the gutter. Through assemblage, these unique items’ ‘use-time’ is recontextualised and elevated as art objects viewed within a gallery arena.
Journal Article
Expressive flower painting : simple mixed-media techniques for bold, beautiful blooms
\"Let your creativity bloom with Expressive Flower Painting! Flowers are one of the most common and beloved subjects for artists. And for new artists, it's almost always one of the first things someone tries to paint--center, petals, stem, voila! The painting exercises and the process shown in this book have a loose, free, contemporary style--one that is very popular with painters and is widely seen in galleries, in shops, and even on clothing and home design goods. It's not intimidating, and yet the paintings are colorful, immediate, and joyful and speak to the artist's desire to play, be loose, and to create freely. Lynn Whipple paints wildly and in small to large formats with a combination of acrylic paint, charcoal, and colorful soft pastel. She uses fresh, abundant flower arrangements as her muse. Expressive Flower Painting presents a range of creative painting exercises that help readers develop vibrant nature paintings. This exciting book is an in-depth expansion of Lynn's class called Big Bold Bloom Wild Painting, with additional content. The book will cover mark making, layering techniques, how to do \"spin drawings,\" color methods, painted backgrounds, working from life, and how to successfully combine a wide variety of media for the maximum effect\"-- Provided by publisher.
Book
Multiple Temporalities, Layered Histories
In Quotational Practices: Repeating the Future in Contemporary Art, Patrick Greaney asserts, “the past matters not only because of what actually happened but also because of the possibilities that were not realized and that still could be. Quotation evokes those possibilities. By repeating the past, artists and writers may be attempting to repeat that past’s unrealized futures.”[1] In the information age, the Internet, for instance, provides us an expanded collection of visual information—quite literally available at our fingertips—summoning together aspects of the past and possibilities of the future into a boundless present. Sketchbook Revisions (2014–2015), a series of mixed-media paintings, represents my attempt to communicate the ways in which I experience my contemporary moment constructed from multiple temporalities excavated from my past. This body of work combines fragments of representational paintings created between 1995 and 2003 and nonrepresentational renderings produced between 2003 and 2014. Using traditional tracing paper and graphic color, I randomly select moments of my previous work to transfer and layer over selected areas of already-filled pages of a sketchbook I used from 2003 to 2004. These sketches depict objects I encountered in studio art classrooms and iconic architecture on the campus of McDaniel College, and often incorporate teaching notes. The final renditions of fragmented and layered histories enact the ways that we collectively experience multiple temporalities in the present. Quoting my various bodies of work, Sketchbook Revisions challenges both material and conceptual boundaries that determine fixed notions of artistic identity.
Journal Article