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so the long stretch of life / reveals its curvature / by those widely separated // moments when we are / brushed / by this awareness // of an other / that we do not know In his latest collection of poems, poet, deep state researcher, and radical medievalist Peter Dale Scott interrogates topics that have occupied his later thought and writing, such as moreness (our need, as humans, to be more than we are), minding, and enmindment (the generative synergy, engaging both hemispheres of our bicameral mind, of intellectual and spiritual enlightenment, now out of kilter). In pursuit of these themes, Scott's voice ranges far, from engaging with poets of the past and, hopefully, the future to critiques of coercive political power, from elegies for important figures in his life – Leonard Cohen, Daniel Ellsberg, Czeslaw Milosz, and Robert Silvers – to fan letters for \"minders\" Chelsea Manning and Dr Christine Blasey Ford. Dreamcraft is a book that crosses distances and straddles boundaries, moving from whistleblower law to the mimetic properties of DNA, from \"the entropic spread / of the drifting cosmos / after the big bang\" to \"the push of lawn grass / under foot.\"

The latest volume of the Yale Series of Younger Poets explores love, grief, the opioid epidemic, and coming of age  \"These poems name the hurt wrought upon the meek that makes the elegy, here, as much an exaltation of the living as a mournful dirge for the land.\"-Major Jackson, Vanderbilt University   The 116th volume of the Yale Series of Younger Poets, Robert Wood Lynn's collection of poems explores the tensions of youth and the saturation points of knowledge: those moments when the acquisition of understanding overlaps with regret and becomes a desire to know less. Comprising poems of place set across the Virginias, this collection includes an episodic elegy exploring the opioid crisis in the Shenandoah Valley as well as a separate series of persona poems reimagining the Mothman (West Virginia's famed cryptid) reluctantly coming of age in that state's mountains and struggling with the utility of warnings. These are narrative poems of love and grief, built from a storytelling tradition. Taken together they form an arc encompassing the experience of growing up, looking away, and looking back.

How did modernist poetry respond—both thematically and technically—to communism? In Red Modernism, Mark Steven asserts that modernism was highly attuned—and aesthetically responsive—to the overall spirit of communism. He considers the maturation of American poetry as a longitudinal arc, one that roughly followed the rise of the USSR through the Russian Revolution and its subsequent descent into Stalinism, opening up a hitherto underexplored domain in the political history of avant-garde literature. In doing so, Steven amplifies the resonance among the universal idea of communism, the revolutionary socialist state, and the American modernist poem. Focusing on three of the most significant figures in modernist poetry—Ezra Pound, William Carlos Williams, and Louis Zukofsky—Steven provides a theoretical and historical introduction to modernism's unique sense of communism while revealing how communist ideals and references were deeply embedded in modernist poetry. Moving between these poets and the work of T. S. Eliot, Langston Hughes, Muriel Rukeyser, Gertrude Stein, Wallace Stevens, and many others, the book combines a detailed analysis of technical devices and poetic values with a rich political and economic context. Persuasively charting a history of the avant-garde modernist poem in relation to communism, beginning in the 1910s and reaching into the 1940s, Red Modernism is an audacious examination of the twinned history of politics and poetry.

This collection of rebellious poems are a reflection of Macedonian poet Ilja Kostovski's travels across the United States, as well as his interpretations of God's purpose for man. Written over the course of a decade from the late 1970s, this work arose out of Kostovski's immersion in the 1978 San Francisco poetry scene and his experience of living in the Shaw district of Washington, DC during the 1980s.

By turns stoic and ravaged, but always with gutting honesty, E. C.Belli invites readers to consider the smallest rooms of the intimate in this first collection.With each poem pared down to an elemental language both slight and clear, Belli's work exhibits a surprising muscularity in its poise.

In Christopher Howell's twelfth collection of poems, his gifts for elegy, humor, and lyricism are on full display.The Grief of a Happy Life explores the interplay between memory and imagination, celebrating the ways that happiness and grief inform one another and give our lives fullness and vitality. Arranged in four sections, Howell's poems feature not only these concerns, but a large and various cast of characters as well. Aeneas, Saint Theresa, Ovid, Kierkegaard, a German submarine, and so much more are woven together with Howell's trademark precision and accessibility into exquisite tableaux, each providing a view of both what we must live with and what we must not live without.

Winner of the Hong Kong University International Poetry Prize 2014

This collection teems with creatures and cosmic phenomena that vivify and reveal our common struggle toward faith and identity.

Brilliant portrait of a time and place that launched American Bohemia and liberated the genius of Walt Whitman.