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An overview of Flemish and Dutch painting from the fifteenth century until around 1700, including works by Rubens, van Dyck and Vermeer.

Revolutionary artist Mary Rogers Williams (1857—1907), a baker's daughter from Hartford, Connecticut, biked and hiked from the Arctic Circle to Naples, exhibited from Paris to Indianapolis, trained at the Art Students League, chafed against art world rules that favored men, wrote thousands of pages about her travels and work, taught at Smith College for nearly two decades, but sadly ended up almost totally obscure. The book reproduces her unpublished artworks that capture pensive gowned women, Norwegian slopes reflected in icy waters, saw-tooth rooflines on French chateaus, and incense hazes in Italian chapels, and it offers a vivid portrayal of an adventurer, defying her era's expectations.

This book explores the influence of Mexican culture and tradition, La Casa Azul and other places Frida Kahlo called home, on her life and work. La Casa Azul, now one of the most visited museums in Mexico City, was the artist's birthplace and the home where she grew up, lived with her husband Diego Rivera for a number of years, and also where she died. She spent long periods of time in the house convalescing, first in 1918 when she contracted polio and again, at the age of 18, after the trolley accident which left her badly injured. Confined to her bed and in constant pain and discomfort, she began to paint as a way to occupy her time. After marrying Rivera, Frida moved out of the Blue House, living in Mexico and abroad, moving for a brief time to the United States, until eventually returning to her childhood home. Fully illustrated, the book features Frida's paintings together with archive images and family photographs, objects and artefacts she collected, and photographs of the surrounding landscape to provide an insight into how these places shaped this much-loved artist and how the homes and landscapes of her life relate to her work.

The Belgian surrealist artist René Magritte redefined the way we think about art. Famous for his men in bowler hats, he inspired generations of later artists from Andy Warhol to Jasper Johns with his witty and provocative work. In this illuminating new biography, Patricia Allmer radically repositions Magritte's work in relation to its historical and cultural circumstances. Allmer explores the significant influence of events and experiences in Magritte's early childhood and youth that are recorded in his letters and essays, including his memories of visiting fairs and circuses, of magical shows and performances, of the cinema, and, in particular, of his first encounter with his future partner, Georgette, on a carousel. Allmer's analyses of these events and their influence on both well-known and less familiar images give new insights into Magritte's art. The book will appeal to those who wish to know more about Magritte's life and work, as well as to the wide audience for surrealism.

Frida Kahlo remains one of the most celebrated painters of her time for her exploration of themes of feminism, gender, class, and race in her artwork and frequent self-portraits. From her childhood struggle with polio, to the traffic accident that left her with chronic pain, to her artistic exploration of herself and her identity, follow this extraordinary woman's life and accomplishments. Pocket Bios are full of personality, introducing readers to fascinating figures from history with simple storytelling and cheerful illustrations. Titles include men and women from history, exploration, the sciences, the arts, the ancient world, and more.-- Publisher's description.

The eighteenth century is recognized as a complex period of dramatic epistemic shifts that would have profound effects on the modern world. Paradoxically, the art of the era continues to be a relatively neglected field within art history. While women's private lives, their involvement with cultural production, the project of Enlightenment, and the public sphere have been the subjects of ground-breaking historical and literary studies in recent decades, women's engagement with the arts remains one of the richest and most under-explored areas for scholarly investigation. This collection of new essays by specialist authors addresses women's activities as patrons and as \"patronized\" artists over the course of the century. It provides a much needed examination, with admirable breadth and variety, of women's artistic production and patronage during the eighteenth century. By opening up the specific problems and conflicts inherent in women's artistic involvements from the perspective of what was at stake for the eighteenth-century women themselves, it also acts as a corrective to the generalizing and stereotyping about the prominence of those women, which is too often present in current day literature. Some essays are concerned with how women's involvement in the arts allowed them to fashion identities for themselves (whether national, political, religious, intellectual, artistic, or gender-based) and how such self-fashioning in turn enabled them to negotiate or intervene in the public domains of culture and politics where \"The Woman Question\" was so hotly debated. Other essays examine how men's patronage of women also served as a vehicle for self-fashioning for both artist and sponsor. Artists and patrons discussed include: Carriera; Queen Lovisa Ulrike and Chardin; the Bourbon Princesses Mlle Clermont, Mme Adélaïde and Nattier; the Duchess of Osuna and Goya; Marie-Antoinette and Vigée-Lebrun; Labille-Guiard; Queen Carolina of Naples, Prince Stanislaus Poniatowski of Poland and Kauffman; David and his students, Mesdames Benoist, Lavoisier and Mongez. Contents: Introduction: art, cultural politics and the woman question, Melissa Hyde and Jennifer Milam; 'An ornament of Italy and the premier female painter of Europe': Rosalba Carriera and the Roman academy, Christopher M.S. Johns; Lovisa Ulrike of Sweden, Chardin and enlightened despotism, Paula Rea Radisich; Practicing portraiture: Mademoiselle de Clermont and J.-M. Nattier, Kathleen Nicholson; Commerce in the boudoir, Jill H. Casid; Matronage and the direction of sisterhood: portraits of Madame Adélaïde, Jennifer Milam; Under the sign of Minerva: Adélaïde Labille-Guiard's Portrait of Madame Adélaïde, Melissa Hyde; The cradle is empty: Elisabeth Vigée-Lebrun, Marie-Antoinette, and the problem of intention, Mary D. Sheriff; Ancient matrons and modern patrons: Angelica Kauffman as a classical history painter, Wendy Wassyng Roworth; Angelica's odyssey: Kauffman's paintings of Penelope and the weaving of narrative, Angela Rosenthal; The 'other atelier': Jacques-Louis David's female students, Mary Vidal; Goya's portraits of the Duchess of Osuna: fashioning identity in enlightenment Spain, Andrew Schulz; Bibliography; Index. Melissa Hyde, University of Florida, USA. Jennifer Milam, University of Sydney, Australia.

The life and career of Frida Kahlo.

Décryptez l'art de Van Gogh en moins d'une heure! Personnalité fragile, Van Gogh est le premier artiste à puiser son inspiration dans les méandres de son esprit torturé. Son instabilité mentale, qui trouve un écho dans la torsion de la ligne ou dans la violence des couleurs, est paradoxalement à l'origine d'une œuvre d'une puissance extraordinaire. Dans une conception de l'art où esprit et matière ne font plus qu'un, le tableau capture la psyché de l'artiste, devenant ainsi, en quelque sorte, son manifeste. Ce livre vous permettra d'en savoir plus sur: - Le contexte socio-politique et culturel dans lequel Van Gogh s'inscrit - La vie du peintre et son parcours - Les caractéristiques et spécificités de son art - Une sélection d'œuvres-clés de Van Gogh - L'impact de l'artiste dans l'histoire de l'art Le mot de l'éditeur: « Dans ce numéro de la série \"50MINUTES | Artistes\", Eliane Reynold de Seresin passe en revue les moments-clés du parcours de Vincent Van Gogh, sans oublier d'évoquer sa fragilité mentale, qui aboutira à son suicide et fera de lui un artiste maudit. Quant à son œuvre, l'auteure nous en fournit un bel aperçu en analysant, entre autres, Les Mangeurs de pommes-de-terre, les célèbres Tournesols ou encore Nuit étoilée. De quoi mieux appréhender les caractéristiques d'une production qui n'a cessé d'évoluer au fil du temps. » Stéphanie Felten À PROPOS DE LA SÉRIE 50MINUTES | Artistes La série « Artistes » de la collection « 50MINUTES » aborde plus de cinquante artistes qui ont profondément marqué l'histoire de l'art, du Moyen Âge à nos jours. Chaque livre a été conçu à la fois pour les passionnés d'art et pour les amateurs curieux d'en savoir davantage en peu de temps. Nos auteurs analysent avec précision les œuvres des plus grands artistes tout en laissant place à toutes les interprétations.

\"Introduces the reader to the artist Mary Cassatt\"-- Provided by publisher.

Fizzing with wit and style and featuring original illustrations by the author, this lively, humorous, and tragic memoir traces the roots of a distinguished painter and her crucial role in New Zealand's feminist movement. Exploring the author's Irish ancestors; childhood in provincial Timaru, New Zealand; bohemian life as a student; and marriage to celebrated psychiatrist Fraser Macdonald, these stories highlight the evolution of culture and visual arts in New Zealand while they brilliantly depict her courageous and flamboyant trek through life.