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"Russian literature."
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Studies in the History of Russian-Israeli Literature
by
Katsman, Roman
,
Shrayer, Maxim D
in
History and criticism
,
Israeli literature (Russian)
,
LITERARY CRITICISM / Russian & Former Soviet Union
2022,2023
The studies gathered in the collection present the Russian-language Israeli literature that has been forming over the past hundred years in all the variety of genres and aesthetic movements. In every generation and in every aliyah, Russian-Israeli authors tirelessly search for new forms, born of the encounter with the new land.
The Constructivist Moment
by
Watten, Barrett
in
American and Russian
,
American literature
,
American literature-20th century-History and criticism
2003
Winner of the American Comparative Literature Association's Rene Wellek Prize (2004)
As one of the founding poets and editors of the Language School of poetry and one of its central theorists, Barrett Watten has consistently challenged the boundaries of literature and art. In The Constructivist Moment, he offers a series of theoretically informed and textually sensitive readings that advance a revisionist account of the avant-garde through the methodologies of cultural studies. His major topics include American modernist and postmodern poetics, Soviet constructivist and post-Soviet literature and art, Fordism and Detroit techno—each proposed as exemplary of the social construction of aesthetic and cultural forms. His book is a full-scale attempt to place the linguistic turn of critical theory and the self-reflexive foregrounding of language by the avant-garde since the Russian Formalists in relation to the cultural politics of postcolonial studies, feminism, and race theory. As such, it will provide a crucial revisionist perspective within modernist and avant-garde studies.
The Vortex That Unites Us
2023
The Vortex That Unites Us is a study of totality in Russian literature, from the foundation of the modern Russian state to the present day. Considering a diversity of texts that have in common chiefly their prominence in the Russian literary canon, Jacob Emery examines the persistent ambition in Russian literature to gather the whole world into an artwork. Emery reveals how the diversity of totalizing figures in the Russian canon—often in alliance with ideologies like the totalitarian state or enlightenment reason—strive for the frontiers of space and time in order to guarantee the coherence of the globe and the continuity of history. He expores subjects like romantic metaphors of supernatural possession; Tolstoy's conception of art as a vector of emotional contagion; the panoramic ambitions of the avant-garde to grasp the globe in a new poetic medium; efforts of Soviet utopians to harmonize the whole of social life along aesthetic lines; Mandelstam's evocation of writing as a transcendental authority that guarantees a grandiose historical rhythm even when manifested as authoritarian repression; and the mass market of cultural commodities in which the exiled Vladimir Nabokov found success with his novel Lolita. The Vortex That Unites Us reveals a common thread in the disparate works it explores, bringing into a single horizon a variety of typically siloed texts and aesthetic approaches. In all these cases, the medium of totality is the body, inspired by artistic vision and compelled by aesthetic response.
Reinventing Tradition
by
Smola, Klavdia
in
Literature of Aliyah, Exodus, Soviet Jews, reinvention of tradition, Russian-Jewish literature, late Soviet underground, post-memory, Yiddish literature, post-Soviet Jewish literature
,
Russian literature-Jewish authors-History and criticism
,
SOCIAL SCIENCE / Jewish Studies
2023,2024
Klavdia Smola explores how the Jewish tradition was reinvented in Russian Jewish literature after a long period of assimilation, the Holocaust and decades of Communism. The process of reinventing the tradition began in the counter-culture of Jewish dissidents, in the midst of the late-Soviet underground of the 1960-1970s, and it continues to the present day.
Translation and the Making of Modern Russian Literature
by
Brian James Baer
in
European literature
,
European literature - Translations into Russian - History and criticism
,
LITERARY CRITICISM
2015
Brian James Baer explores the central role played by translation in the construction of modern Russian literature. Peter I's policy of forced Westernization resulted in translation becoming a widely discussed and highly visible practice in Russia, a multi-lingual empire with a polyglot elite. Yet Russia's accumulation of cultural capital through translation occurred at a time when the Romantic obsession with originality was marginalizing translation as mere imitation. The awareness on the part of Russian writers that their literature and, by extension, their cultural identity were \"born in translation\" produced a sustained and sophisticated critique of Romantic authorship and national identity that has long been obscured by the nationalist focus of traditional literary studies. By offering a re-reading of seminal works of the Russian literary canon that thematize translation, alongside studies of the circulation and reception of specific translated texts, Translation and the Making of Modern Russian Literature models the long overdue integration of translation into literary and cultural studies.