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85,157 result(s) for "Songs."
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Are you quite polite? : silly dilly manners songs
Presents humorous lyrics to such familiar children's songs as \"Pop Goes the Weasel,\" \"Twinkle Twinkle Little Star,\" and \"Hey Diddle Diddle.\"
I'm still here in the bathtub : brand new silly dilly songs
Well-known songs, including \"Itsy Bitsy Spider\" and \"Farmer in the Dell,\" are presented with new words and titles, such as \"Tiny Baby Brother\" and \"I'm in My Room and Bored.\"
The Routledge History of Social Protest in Popular Music
The major objective of this collection of 28 essays is to analyze the trends, musical formats, and rhetorical devices used in popular music to illuminate the human condition. By comparing and contrasting musical offerings in a number of countries and in different contexts from the 19th century until today, The Routledge History of Social Protest in Popular Music aims to be a probing introduction to the history of social protest music, ideal for popular music studies and history and sociology of music courses.
Relics and tunes : the songs of Amelia Curran
\"To celebrate the career of one of Canada's most respected singer-songwriters, Relics and tunes makes Amelia Curran's lyrics available in print for the first time. With chords and lyrics published in an elegant and easy-to-use format, this collection will delight everyone from the novice musician to the seasoned professional. Covering her most-recent five albums, including the remarkable new release, Watershed, this anthology stands as an indispensable addition to your Amelia Curran library.\"--Provided by publisher.
Music Is Power
Honorable Mention, 2019 Foreword INDIES Awards - Performing Arts & MusicHonorable Mention, Graphis 2021 Design Annual CompetitionPopular music has long been a powerful force for social change. Protest songs have served as anthems regarding war, racism, sexism, ecological destruction and so many other crucial issues. Music Is Power takes us on a guided tour through the past 100 years of politically-conscious music, from Pete Seeger and Woody Guthrie to Green Day and NWA. Covering a wide variety of genres, including reggae, country, metal, psychedelia, rap, punk, folk and soul, Brad Schreiber demonstrates how musicians can take a variety of approaches- angry rallying cries, mournful elegies to the victims of injustice, or even humorous mockeries of authority-to fight for a fairer world. While shining a spotlight on Phil Ochs, Gil Scott-Heron, The Dead Kennedys and other seminal, politicized artists, he also gives readers a new appreciation of classic acts such as Lesley Gore, James Brown, and Black Sabbath, who overcame limitations in their industry to create politically potent music Music Is Power tells fascinating stories about the origins and the impact of dozens of world-changing songs, while revealing political context and the personal challenges of legendary artists from Bob Dylan to Bob Marley.Supplemental material (Artist and Title List): https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2020/07/24001955/Music_Is_Power_Supplementary_Artist_Title_List.doc 
I'm a little teapot
Expanded verses of a familiar song tell how a teapot dreams of visiting China, Mexico, the opera, a jungle, and other places while waiting to be used to serve tea.Music and lyrics on last page.
Robert de Reims
Robert de Reims, also known as \"La Chievre de Rains,\" was among the earliest trouvères-poet-composers who were contemporaries of the troubadours but who wrote in the dialects of northern France. This critical edition provides new translations into English and modern French of all the songs and motets ascribed to him, along with the original texts, the extant music, and a substantive introduction. Active sometime between 1190 and 1220, Robert was an influential figure in the literary circles of Arras. Thirteen compositions set to music are here attributed to him, including nine chansons and four polyphonic motets that were broadly disseminated in the thirteenth century and beyond. Robert's work is exceptional on a number of fronts. He lavished particular care on the phonic harmony of his words. Acoustic luxuriance and expertise in rhyming, grounded in the play of echoes and variation (often extending into the music), constitute the hallmark of his poetry. Moreover, he is the earliest trouvère known to have composed a parodic sotte chanson contre Amours (silly song against Love). Located clearly at the nexus of monophonic song and polyphony, Robert's corpus also poses the intriguing question of trouvère participation in the development of the polyphonic repertory. The case of Robert de Reims jostles and tempers the standard history of the chanson and motet. Accessible and instructive, this trilingual critical edition of his complete works makes the oeuvre of this innovative and consequential trouvère available in one volume for the first time.
How much is that doggie in the window?
Longing to buy a special puppy, a boy tries to find the money he needs but ends up spending it on family members, who ultimately surprise him with the dog as a gift.
Dr. Carol Kimball
During her thirty-six-year tenure, she taught voice and relevant topics (most notably vocal literature) to both undergraduate and graduate students and founded the opera theater program. Long before the term \"cross-training\" entered the vocabulary of voice pedagogy, Carol was performing an expansive array of works from the stage, moving effortlessly from Miss Mazeppa's \"You Gotta Get a Gimmick\" to Dot's introspective moments in Sunday in the Park with George. In addition to serving as editor pro tempore for the Journal of Singing from 1998 to 1999, she wrote the column \"The Listeners Gallery\" from 1987 to 1994, was a member of the editorial board from 1988 to 2001 (the last seven years as its chair), and created and authored \"The Song File,\" a regular feature devoted to art song, from 2009 to 2014.