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My escapee : stories
\"Delicate and assured, the stories in My escapee illuminate unseen forces in women's lives: the shameful thought, the stifled hope, the subterranean stresses of marriage, friendship, and family. Grappling with lost memories, escaped time, the longing to be loved, and the instinct for autonomy, the stories peer inside their characters' minds to their benign delusions, their triumphs and defeats.\"--Provided by the publisher.
Book
Our Mothers, Our Powers, Our Texts
\"Washington writes supple and thoughtful prose and creatively integrates African and African-derived terminology, which never distract the reader. I consider Our Mothers, Our Powers, Our Texts not only a brilliant study, but also a model to be emulated.\" -- Ousseynou B. Traore, William Patterson UniversityÀjé is a Yoruba word that signifies a spiritual power of vast potential, as well as the human beings who exercise that power. Although both men and women can have Àjé, its owners and controllers are women, the literal and cosmic Mothers who are revered as the gods of society. Because of its association with female power, its invisibility and profundity, Àjé is often misconstrued as witchcraft. However, as Teresa N. Washington points out in Our Mothers, Our Powers, Our Texts, Àjé is central to the Yoruba ethos and cosmology. Not only does it underpin the concepts of creation and creativity, but as a force of justice and retribution, Àjé is essential to social harmony and balance. As Africans were forced into exile and enslavement, they took Àjé with them and continued its work of creating, destroying, harming, and healing in the New World.Washington seeks out Àjé's subversive power of creation and re-creation in a diverse range of Africana texts, from both men and women, from both oral and contemporary literature, and across space and time. She guides readers to an understanding of the symbolic, methodological, and spiritual issues that are central to important works by Africana writers but are rarely elucidated by Western criticism. She begins with an examination of the ancient forms of Àjé in Yoruba culture, which creates a framework for innovative readings of important works by Africana writers, including Zora Neale Hurston, Toni Morrison, Ben Okri, Wole Soyinka, Jamaica Kincaid, and Ntozake Shange. This rich analysis will appeal to readers of
Africana literature, African religion and philosophy, feminist studies, and comparative literature.
eBook
Girl runner : a novel
\"As a young runner, Aganetha Smart defied everyone's expectations to win a gold medal for Canada in the 1928 Olympics. It was a revolutionary victory, because this was the first Games in which women could compete in track events--and they did so despite opposition. But now Aganetha Smart is in a nursing home, and nobody realizes that the frail centenarian was once a bold pioneer\"--Amazon.com.
Book
British Women Short Story Writers
Essays tracing the evolving relationship between British women writers and the short story genre from the late Nineteenth Century to the present day.
What is the relationship between the British woman writer and the short story? Considering the effect of literary inheritances, societal and cultural change, and shifting publishing demands, this collection traces the evolution of the genre through to its continued appeal to women writing today; from the New Woman to contemporary feminisms, women's anthologies to micro fiction, and modernist writers to the contemporary works.
Key FeaturesA foreword by Ali Smith and 12 chapters discuss a range of gender and genre issues since the fin-de-siècle to the present day.A comprehensive account of the genre's development provides a unique insight into a largely neglected aspect of women's writing.Sets out a clear trajectory to map both the historical and literary connections and divergences between British women short story writers.Offers a comprehensive account of the genre's development to provide scholars with a unique insight into a largely neglected aspect of women's writing.Includes new readings of canonical authors alongside more recent theoretical approaches, innovations and lesser-discussed writers.
eBook
Pond
\"A ... fiction debut ... in which the habits and observations of a solitary young woman illuminate her inner life with uncanny, irresistible intimacy\"-- Provided by publisher.
BOOK
Women writers and detectives in nineteenth-century crime fiction : the mothers of the mystery genre
This book is a study of the 'mothers' of the mystery genre. Traditionally the invention of crime writing has been ascribed to Poe, Wilkie Collins and Conan Doyle, but they had formidable women rivals, whose work has been until recently largely forgotten. The purpose of this book is to 'cherchez les femmes', in a project of rediscovery.
eBook
The winter people : a novel
In West Hall, Vermont, some secrets never die ... In 1908 Sara Harrison Shea was found dead in the field behind her house just months after the tragic death of her daughter, Gertie. Now, in present day, Ruthie lives in Sara's farmhouse with her mother, Alice, and her younger sister, Fawn. When Ruthie wakes up one morning to find that Alice has vanished without a trace, she is startled to find a copy of Sara Harrison Shea's diary hidden beneath the floorboards of her mother's bedroom. Ruthie is not the only person who's desperately looking for someone that they've lost ... but she may be the only one who can stop history from repeating itself.
Book
Sexuality, maternity, and (re)productive futures : women's speculative fiction in contemporary Japan
Sexuality, Maternity, and (Re)productive Futures explores how contemporary Japanese female speculative fiction writers have challenged historical inequalities of sex, gender difference, and family roles by imagining alternative worlds where sexes are fluid and childbearing crosses the boundaries of male/female, biological/bioengineered, and human/nonhuman.
eBook
One left : a novel
\"An estimated 200,000 Korean girls were forced into sexual servitude for the Japanese military forces during World War II, and only 20,000 of these women are thought to have survived and made it back to Korea after the war. Two hundred and thirty-eight self-declared comfort women have come forward to make their background public, and as of October 2017, only 37 among these women were still alive; their average age was 91. One Left, published in Korea in 2016, is the first Korean novel devoted exclusively to the subject of comfort women. The book tells the story of a woman from the day she was taken from her home village by the Japanese and forced into a life as a sex slave at a \"comfort station\" in Manchuria. Finding her way back to Korea after the war, she hides her past even from close family members, her feelings constantly colored by shame and nightmares. She never publicly reveals her past, but as the last self-reported comfort woman lies on her deathbed, the protagonist is driven to meet this woman and tell her that there will still be \"one left\" after her passing. The novel is well-grounded and thoroughly researched, and it includes over 300 endnotes crediting the sources of many of the details mentioned by the protagonist as she recounts her memories of the comfort station in Manchuria\"-- Provided by publisher.
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The Genius of Democracy
In the late nineteenth- and early twentieth-century United States, ideas of genius did more than define artistic and intellectual originality. They also provided a means for conceptualizing women's participation in a democracy that marginalized them. Widely distributed across print media but reaching their fullest development in literary fiction, tropes of female genius figured types of subjectivity and forms of collective experience that were capable of overcoming the existing constraints on political life. The connections between genius, gender, and citizenship were important not only to contests over such practical goals as women's suffrage but also to those over national membership, cultural identity, and means of political transformation more generally. InThe Genius of DemocracyVictoria Olwell uncovers the political uses of genius, challenging our dominant narratives of gendered citizenship. She shows how American fiction catalyzed political models of female genius, especially in the work of Louisa May Alcott, Henry James, Mary Hunter Austin, Jessie Fauset, and Gertrude Stein. From an American Romanticism that saw genius as the ability to mediate individual desire and collective purpose to later scientific paradigms that understood it as a pathological individual deviation that nevertheless produced cultural progress, ideas of genius provided a rich language for contests over women's citizenship. Feminist narratives of female genius projected desires for a modern public life open to new participants and new kinds of collaboration, even as philosophical and scientific ideas of intelligence and creativity could often disclose troubling and more regressive dimensions. Elucidating how ideas of genius facilitated debates about political agency, gendered identity, the nature of consciousness, intellectual property, race, and national culture, Olwell reveals oppositional ways of imagining women's citizenship, ways that were critical of the conceptual limits of American democracy as usual.
eBook