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Picturing the New Berlin: Filmic Representations of the Postunification Capital
by
Burns, Rob
in
Berlin, Federal Republic of Germany
/ Cities
/ Classification
/ Conflict
/ Criticism and interpretation
/ Cultural identity
/ Cultural Pluralism
/ Documentary films
/ Ethnic Identity
/ Ethnic relations
/ Federal Republic of Germany
/ Fiction
/ Funding
/ Honor killings
/ Identity
/ Mass Media Images
/ Metaphors
/ Motion pictures
/ Motion pictures, German
/ Multiculturalism & pluralism
/ Representation
2015
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Picturing the New Berlin: Filmic Representations of the Postunification Capital
by
Burns, Rob
in
Berlin, Federal Republic of Germany
/ Cities
/ Classification
/ Conflict
/ Criticism and interpretation
/ Cultural identity
/ Cultural Pluralism
/ Documentary films
/ Ethnic Identity
/ Ethnic relations
/ Federal Republic of Germany
/ Fiction
/ Funding
/ Honor killings
/ Identity
/ Mass Media Images
/ Metaphors
/ Motion pictures
/ Motion pictures, German
/ Multiculturalism & pluralism
/ Representation
2015
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Do you wish to request the book?
Picturing the New Berlin: Filmic Representations of the Postunification Capital
by
Burns, Rob
in
Berlin, Federal Republic of Germany
/ Cities
/ Classification
/ Conflict
/ Criticism and interpretation
/ Cultural identity
/ Cultural Pluralism
/ Documentary films
/ Ethnic Identity
/ Ethnic relations
/ Federal Republic of Germany
/ Fiction
/ Funding
/ Honor killings
/ Identity
/ Mass Media Images
/ Metaphors
/ Motion pictures
/ Motion pictures, German
/ Multiculturalism & pluralism
/ Representation
2015
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Picturing the New Berlin: Filmic Representations of the Postunification Capital
Journal Article
Picturing the New Berlin: Filmic Representations of the Postunification Capital
2015
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Overview
Just as Berlin as a political, social, ethnic, and material entity has undergone considerable change since 1989, so too the cinematic representations of the new capital over the last twenty years or so have projected a diverse set of images of the city. This article considers a selection of fiction films that can be grouped together under three broad thematic category headings: those dealing with Berlin's past, those addressing the city's multicultural identity and, most substantially, those films in which the capital of the new \"Berlin Republic\" can be read as a metaphor for postunification Germany. What all three categories have in common, it is argued, is that the image of Berlin that emerges from most of these films remains an overwhelmingly negative one, with the city portrayed predominantly as a site of either conflict or disorientation.
Publisher
Berghahn Journals,Berghahn Books, Inc
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