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Rafael Alberti, Maruja Mallo, and Giménez Caballero: Materialist Imagery in \Sermones y Moradas\ and the Issue of Surrealism
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Rafael Alberti, Maruja Mallo, and Giménez Caballero: Materialist Imagery in \Sermones y Moradas\ and the Issue of Surrealism
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Journal Article
Rafael Alberti, Maruja Mallo, and Giménez Caballero: Materialist Imagery in \Sermones y Moradas\ and the Issue of Surrealism
1998
Overview
This article attempts to extend awareness of the context in which Alberti's work of the late 1920s, specifically \"Sobre los ángeles\" and \"Sermones y moradas,\" may be appreciated. The persistence of a subversive religious mode in these volumes is considered in the light of surrealist theory. Comparable materialist imagery is noted in Ernesto Giménez Caballero's \"Yo, inspector de alcantarillas,\" in the Vallecas school of painters and, especially, in the paintings of Maruja Mallo, Alberti's lover at the time. The whole points towards an earnestness of purpose that bears out Alberti's remark in the hitherto unpublished interview with Geoffrey Connell that Surrealism in Spain was more serious than in France.
Publisher
W. S. Maney & Son Ltd,Modern Humanities Research Association
Subject
