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Less Work for \Mother\: Rural Readers, Farm Papers, and the Makeover of \The Revolt of 'Mother'\
by
GARVEY, ELLEN GRUBER
in
Analysis
/ Children
/ Children & youth
/ Cities
/ Creativity
/ Crops
/ Daughters
/ Families & family life
/ Family farms
/ Farms
/ Feminism
/ Freeman, Mary Eleanor Wilkins (1852-1930)
/ Gender equality
/ Homes
/ Legacies
/ LEGACY REPRINTS
/ Literary criticism
/ Mothers
/ Purdy, Nina Sutherland
/ Rural areas
/ Shopping
/ Social aspects
/ Sparsely populated areas
/ Towns
/ Women
2009
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Less Work for \Mother\: Rural Readers, Farm Papers, and the Makeover of \The Revolt of 'Mother'\
by
GARVEY, ELLEN GRUBER
in
Analysis
/ Children
/ Children & youth
/ Cities
/ Creativity
/ Crops
/ Daughters
/ Families & family life
/ Family farms
/ Farms
/ Feminism
/ Freeman, Mary Eleanor Wilkins (1852-1930)
/ Gender equality
/ Homes
/ Legacies
/ LEGACY REPRINTS
/ Literary criticism
/ Mothers
/ Purdy, Nina Sutherland
/ Rural areas
/ Shopping
/ Social aspects
/ Sparsely populated areas
/ Towns
/ Women
2009
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Do you wish to request the book?
Less Work for \Mother\: Rural Readers, Farm Papers, and the Makeover of \The Revolt of 'Mother'\
by
GARVEY, ELLEN GRUBER
in
Analysis
/ Children
/ Children & youth
/ Cities
/ Creativity
/ Crops
/ Daughters
/ Families & family life
/ Family farms
/ Farms
/ Feminism
/ Freeman, Mary Eleanor Wilkins (1852-1930)
/ Gender equality
/ Homes
/ Legacies
/ LEGACY REPRINTS
/ Literary criticism
/ Mothers
/ Purdy, Nina Sutherland
/ Rural areas
/ Shopping
/ Social aspects
/ Sparsely populated areas
/ Towns
/ Women
2009
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Less Work for \Mother\: Rural Readers, Farm Papers, and the Makeover of \The Revolt of 'Mother'\
Journal Article
Less Work for \Mother\: Rural Readers, Farm Papers, and the Makeover of \The Revolt of 'Mother'\
2009
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Overview
Because Purdy's story was published specifically for an authence of farm women, readers are hailed as keepers of the new community mores that are visible throughout the magazine in advice on economical redecorating. In her other stories, Freeman treated shopping and the desire for goods as a senseless displacement of creative and sexual desires, as Monica Elbert has demonstrated. [...] in 1917, Freeman wrote a \"retraction\" of her story, asserting that it was \"false,\" since a New England woman like Sarah Penn would either have agreed with her husband that cows should be better housed than people or would have gotten what she wanted long before (\"Who's Who\" 25, 75).
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