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"Chinese classics."
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Philosophy on Bamboo
Through close readings of excavated texts from Guōdiàn, this book provides a comprehensive analysis of the way in which meaning is produced in early Chinese philosophical texts. It is the first book on early China to cast light on the relationship between material conditions and ideas and shows how, in an evolving manuscript culture, texts were used by different social groups.
eBook
The Embodied Text
In The Embodied Text Matthias L. Richter demonstrates how early Chinese manuscript texts can reliably be established on the basis of their material representation rather than on grounds of similarities with other texts.
eBook
Chinese Theories of Reading and Writing
This ambitious work provides a systematic study of Chinese theories of reading and writing in intellectual thought and critical practice. The author maintains that there are two major hermeneutic traditions in Chinese literature: the politico-moralistic mainstream and the metaphysico-aesthetical undercurrent. In exploring the interaction between the two, Ming Dong Gu finds a movement toward interpretive openness. In this, the Chinese practice anticipates modern and Western theories of interpretation, especially literary openness and open poetics. Classic Chinese works are examined, including the Zhouyi (the I Ching or Book of Changes), the Shijing (the Book of Songs or Book of Poetry), and selected poetry, along with the philosophical background of the hermeneutic theories. Ultimately, Gu relates the Chinese practices of reading to Western hermeneutics, offering a cross-cultural conceptual model for the comparative study of reading and writing in general.
eBook
Text and Ritual in Early China
In Text and Ritual in Early China, leading scholars of ancient Chinese history, literature, religion, and archaeology consider the presence and use of texts in religious and political ritual. Through balanced attention to both the received literary tradition and the wide range of recently excavated artifacts, manuscripts, and inscriptions, their combined efforts reveal the rich and multilayered interplay of textual composition and ritual performance. Drawn across disciplinary boundaries, the resulting picture illuminates two of the defining features of early Chinese culture and advances new insights into their sumptuous complexity.
Beginning with a substantial introduction to the conceptual and thematic issues explored in succeeding chapters, Text and Ritual in Early China is anchored by essays on early Chinese cultural history and ritual display (Michael Nylan) and the nature of its textuality (William G. Boltz). This twofold approach sets the stage for studies of the E Jun Qi metal tallies (Lothar von Falkenhausen), the Gongyang commentary to The Spring and Autumn Annals (Joachim Gentz), the early history of The Book of Odes (Martin Kern), moral remonstration in historiography (David Schaberg), the Liming manuscript text unearthed at Mawangdui (Mark Csikszentmihalyi), and Eastern Han commemorative stele inscriptions (K. E. Brashier).
The scholarly originality of these essays rests firmly on their authors control over ancient sources, newly excavated materials, and modern scholarship across all major Sinological languages. The extensive bibliography is in itself a valuable and reliable reference resource.
This important work will be required reading for scholars of Chinese history, language, literature, philosophy, religion, art history, and archaeology.
eBook
The New Result of Studies in the History of Medieval Calligraphy: A Review of The Manual of Calligraphy by Sun Guoting of the Tang: A Comprehensive Study on the Manuscript and Its Autho
The Manual of Calligraphy by Sun Guoting of the Tang: A Comprehensive Study on the Manuscript and Its Author is one of the representative monographs by the Italian sinologist Pietro De Laurentis, which includes the textual and historical research of Sun Guoting (a famous calligrapher and calligraphic theorist in the Tang Dynasty) and his calligraphy. The integrity and circulation of Shu pu (one of Sun Guoting’s most famous calligraphic works, which is an important work of traditional Chinese calligraphic theory) and its textual content and visual form, featuring meticulous historical analysis and unique insights, have created a dialogue with the existing studies of Shu pu in China. The English translation of Shu pu and historical records regarding Sun Guoting are presented in this monograph, with informative notes in the translation that convey Sun Guoting’s aesthetic ideas and experiences while learning calligraphy. This book enriches the studies of calligraphy history in China by presenting a new perspective and approach, and the research-based translations provide inspiration and reference for the transmission of Chinese calligraphy in the West.
Journal Article
Rebels in Biblical and Chinese Texts: A Comparative Study on the Interplay of Myth and History
This study offers a new approach for studying biblical myth in two directions: first, by expanding the scope of investigation beyond the clearly mythological elements to other areas of biblical literature, and second, by drawing comparisons to classical Chinese literature. This article thus reconsiders the relationship between myth and history in both biblical and Chinese literature, while seeking to broaden the endeavor of the comparative method in biblical studies. Two examples are offered: (1) the story of Moses’s call narrative and his relationship with Aaron in Exodus in light of the story of Xiang Liang and Xiang Ji in the Shiji; (2) the story of Saul and David in 1 Samuel compared with the story of Dong Zhuo and Lü Bu in the Romance of the Three Kingdoms. Both comparisons demonstrate the operation of Claude Lévi-Strauss’s inversion principle. Conclusions regarding each of these literatures are presented separately, followed by cross-cultural insights and shared aspects in the study of myth, historiography, and religion.
Journal Article