Asset Details
MbrlCatalogueTitleDetail
Do you wish to reserve the book?
Post-Fordist cinema : Hollywood auteurs and the corporate counterculture
by
Menne, Jeff, 1974- author
in
Auteur theory (Motion pictures)
/ Motion picture producers and directors United States History 20th century.
/ Motion picture industry United States History 20th century.
Hey, we have placed the reservation for you!
By the way, why not check out events that you can attend while you pick your title.
You are currently in the queue to collect this book. You will be notified once it is your turn to collect the book.
Oops! Something went wrong.
Looks like we were not able to place the reservation. Kindly try again later.
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
Do you wish to request the book?
Post-Fordist cinema : Hollywood auteurs and the corporate counterculture
by
Menne, Jeff, 1974- author
in
Auteur theory (Motion pictures)
/ Motion picture producers and directors United States History 20th century.
/ Motion picture industry United States History 20th century.
Please be aware that the book you have requested cannot be checked out. If you would like to checkout this book, you can reserve another copy
We have requested the book for you!
Your request is successful and it will be processed during the Library working hours. Please check the status of your request in My Requests.
Oops! Something went wrong.
Looks like we were not able to place your request. Kindly try again later.
Post-Fordist cinema : Hollywood auteurs and the corporate counterculture
Book
Post-Fordist cinema : Hollywood auteurs and the corporate counterculture
Available to read in the library!
Request Book From Autostore
and Choose the Collection Method
Overview
\"The New Hollywood boom of the late 1960s and 1970s is celebrated as a time when maverick directors bucked the system. Against the backdrop of counterculture sensibilities and the prominence of auteur theory, New Hollywood directors such as Robert Altman and Francis Ford Coppola seemed to embody creative individualism. In Post-Fordist Cinema, Jeff Menne rewrites the history of this period, arguing that auteur theory served to reconcile directors to Hollywood's corporate project. Menne traces the surprising affinities between auteur theory and management gurus such as Peter Drucker, who envisioned a more open and flexible corporate style. In founding production companies, New Hollywood filmmakers took part in the creation of new corporate models that emphasized entrepreneurial creativity. For firms such as Kirk Douglas's Bryna Productions, Altman's Lion's Gate Films, the Zanuck-Brown Company, and BBS Productions, the counterculture ethos limbered up the studio system's sclerotic production process--with striking parallels to how management theory conceived of the role of the individual within the firm. Menne offers insightful readings of how films such as Lonely Are the Brave, Brewster McCloud, Jaws, and The King of Marvin Gardens narrate the conditions in which they were created, depicting shifting notions of work and corporate structure. While auteur theory allowed directors to cast themselves as independent creators, Menne argues that its most consequential impact came as a management doctrine. An ambitious rethinking of New Hollywood, Post-Fordist Cinema sheds new light on the cultural myth of the great director and the birth of the 'creative economy'\"-- Provided by publisher.
Publisher
Columbia University Press
Subject
ISBN
9780231183703, 978023118371
Item info:
1
item available
1
item total in all locations
| Call Number | Copies | Material | Location |
|---|---|---|---|
| PN1995.9.A837 M46 2019 | 1 | BOOK | AUTOSTORE |
This website uses cookies to ensure you get the best experience on our website.