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Rewriting indie cinema : improvisation, psychodrama, and the screenplay
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Rewriting indie cinema : improvisation, psychodrama, and the screenplay
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Rewriting indie cinema : improvisation, psychodrama, and the screenplay

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Overview
\"J.J. Murphy analyzes the shifting role of the screenplay in the history of modern American independent cinema. He argues that in moving away from the traditional Hollywood approach of using a script developed in pre-production, key independent filmmakers used psychodrama and improvisation to create a new kind of cinema that allowed for more complex characterization and pushed dramatic interaction to the point where the boundary between the fiction and reality begin to dissolve. Murphy begins with filmmaking in the 1950s and 1960s and the works of John Cassavetes, Shirley Clarke, Norman Mailer, Jonas Mekas, and other independent directors. In reading key films and analyzing the techniques of these directors, he demonstrates how their divergence from the script, to varying degrees, created a new American cinema. Murphy then turns his attention to the twenty-first century when filmmakers, influenced by the freedom afforded by digital technology, explored many of the same strategies. Films by Gus Van Sant as well as those associated with mumblecore helped set a new precedent for this second wave of unconventional scripting practices. In his focus on improvisation, psychodrama, and a new approach to scripting, Murphy provides a new history of American indie filmmaking and how it challenged Hollywood industrial practices and performance styles\"-- Provided by publisher.
Publisher
Columbia University Press
ISBN
9780231191968, 9780231191975
Item info:
1 item available
1 item total in all locations
Holdings :
Call Number Copies Material Location
PN1993.5.U6 M79 2019 1 BOOK AUTOSTORE