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The Harlem Renaissance : a very short introduction
by
Wall, Cheryl A., author
in
Harlem Renaissance.
/ American literature African American authors History and criticism.
/ African American arts New York (State) New York 20th century.
/ African Americans New York (State) New York Intellectual life.
/ African Americans in popular culture.
/ African Americans in literature.
/ LITERARY COLLECTIONS / African.
/ LITERARY CRITICISM / General.
/ Harlem (New York, N.Y.) Intellectual life.
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The Harlem Renaissance : a very short introduction
by
Wall, Cheryl A., author
in
Harlem Renaissance.
/ American literature African American authors History and criticism.
/ African American arts New York (State) New York 20th century.
/ African Americans New York (State) New York Intellectual life.
/ African Americans in popular culture.
/ African Americans in literature.
/ LITERARY COLLECTIONS / African.
/ LITERARY CRITICISM / General.
/ Harlem (New York, N.Y.) Intellectual life.
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Do you wish to request the book?
The Harlem Renaissance : a very short introduction
by
Wall, Cheryl A., author
in
Harlem Renaissance.
/ American literature African American authors History and criticism.
/ African American arts New York (State) New York 20th century.
/ African Americans New York (State) New York Intellectual life.
/ African Americans in popular culture.
/ African Americans in literature.
/ LITERARY COLLECTIONS / African.
/ LITERARY CRITICISM / General.
/ Harlem (New York, N.Y.) Intellectual life.
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The Harlem Renaissance : a very short introduction
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Overview
\"The Harlem Renaissance was a cultural awakening among African Americans between the two world wars. It was the cultural phase of the \"New Negro\" movement, a social and political phenomenon that promoted a proud racial identity, economic independence, and progressive politics. In this Very Short Introduction, Cheryl A. Wall captures the Harlem Renaissance's zeitgeist by identifying issues and strategies that engaged writers, musicians, and visual artists alike. She introduces key figures such as Langston Hughes, Zora Neale Hurston, Claude McKay, and Jean Toomer, along with such signature texts as \"Mother to Son,\" \"Harlem Shadows,\" and Cane. In examining the \"New Negro,\" she looks at the art of photographer James Van der Zee and painters Archibald Motley and Laura Wheeler and the way Marita Bonner, Jessie Fauset, and Nella Larsen explored the dilemmas of gender identity for New Negro women. Focusing on Harlem as a cultural capital, Wall covers theater in New York, where black musicals were produced on Broadway almost every year during the 1920s. She also depicts Harlem nightlife with its rent parties and clubs catering to working class blacks, wealthy whites, and gays of both races, and the movement of Renaissance artists to Paris. From Hughes's \"The Negro Speaks of Rivers\" to W.E.B. Du Bois's novel Dark Princess, black Americans explored their relationship to Africa. Many black American intellectuals met African intellectuals in Paris, where they made common cause against European colonialism and race prejudice. Folklore - spirituals, stories, sermons, and dance - was considered raw material that the New Negro artist could alchemize into art. Consequently, they applauded the performance of spirituals on the concert stage by artists like Roland Hayes and Paul Robeson. The Harlem Renaissance left an indelible mark not only on African American visual and performing arts, but, as Cheryl Wall shows, its legacies are all around us\"-- Provided by publisher.
Publisher
Oxford University Press
Subject
/ American literature African American authors History and criticism.
/ African American arts New York (State) New York 20th century.
/ African Americans New York (State) New York Intellectual life.
/ African Americans in popular culture.
/ African Americans in literature.
/ LITERARY COLLECTIONS / African.
ISBN
9780199335558, 0199335559
Item info:
1
item available
1
item total in all locations
| Call Number | Copies | Material | Location |
|---|---|---|---|
| PS153.N5 W327 2016 | 1 | BOOK | GENERAL |
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