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I always knew : a memoir
by
Chase-Riboud, Barbara, author
in
Chase-Riboud, Barbara Correspondence.
/ Chase-Riboud, Barbara.
/ Mothers and daughters Correspondence.
/ Artists United States Correspondence.
/ Women artists United States Correspondence.
/ African American artists Correspondence.
/ Artists United States Biography.
/ Women artists United States Biography.
/ African American artists Biography.
/ African American artists.
/ Artists.
/ Women artists.
/ United States.
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I always knew : a memoir
by
Chase-Riboud, Barbara, author
in
Chase-Riboud, Barbara Correspondence.
/ Chase-Riboud, Barbara.
/ Mothers and daughters Correspondence.
/ Artists United States Correspondence.
/ Women artists United States Correspondence.
/ African American artists Correspondence.
/ Artists United States Biography.
/ Women artists United States Biography.
/ African American artists Biography.
/ African American artists.
/ Artists.
/ Women artists.
/ United States.
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Do you wish to request the book?
I always knew : a memoir
by
Chase-Riboud, Barbara, author
in
Chase-Riboud, Barbara Correspondence.
/ Chase-Riboud, Barbara.
/ Mothers and daughters Correspondence.
/ Artists United States Correspondence.
/ Women artists United States Correspondence.
/ African American artists Correspondence.
/ Artists United States Biography.
/ Women artists United States Biography.
/ African American artists Biography.
/ African American artists.
/ Artists.
/ Women artists.
/ United States.
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I always knew : a memoir
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Overview
\"American artist, poet, and novelist Barbara Chase-Riboud (b. 1939), has had an unusually varied and highly successful career across genres and media. As a poet, her work was edited by Toni Morrison and she is a recipient of the Carl Sandburg Prize. As a fiction writer, she was edited by Jacqueline Kennedy Onassis, and her first historical novel, Sally Hemings (1979) was a bestseller. But Chase-Riboud trained as a visual artist, primarily as a sculptor, and her large installations made of fabric and bronze are powerful, with references to the human figure, her travels in North Africa and China, and the American Civil Rights Movement. She and Bettye Saar were the first African-American women to exhibit at the Whitney Museum of Art, and her work is in many major collections, including the Metropolitan Museum of Art, MoMA, and the Centre Pompidou. This book, framed as a memoir, is composed of over forty years' worth of letters Chase-Riboud wrote to her beloved mother, and which she found in her mother's house around the time of her death. The letters begin in 1957, while the artist was a student in Paris, and continue through 1991. As Chase-Riboud writes in the introduction, \"This is not autobiography, nor biography, nor memoir nor fiction but a strange hybrid mixture of disparate and even contradictory narratives out of which portraits of the two of us emerge, separate yet united and indivisible.\"\"-- Provided by publisher.
Publisher
Princeton University Press
Subject
Chase-Riboud, Barbara Correspondence.
/ Mothers and daughters Correspondence.
/ Artists United States Correspondence.
/ Women artists United States Correspondence.
/ African American artists Correspondence.
/ Artists United States Biography.
/ Women artists United States Biography.
/ African American artists Biography.
/ Artists.
ISBN
9780691234274, 0691234272
Item info:
1
item available
1
item total in all locations
| Call Number | Copies | Material | Location |
|---|---|---|---|
| NX512.C483 A3 2022 | 1 | BOOK | ARTS |
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