Search Results Heading

MBRLSearchResults

mbrl.module.common.modules.added.book.to.shelf
Title added to your shelf!
View what I already have on My Shelf.
Oops! Something went wrong.
Oops! Something went wrong.
While trying to add the title to your shelf something went wrong :( Kindly try again later!
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
    Done
    Filters
    Reset
  • Discipline
      Discipline
      Clear All
      Discipline
  • Is Peer Reviewed
      Is Peer Reviewed
      Clear All
      Is Peer Reviewed
  • Series Title
      Series Title
      Clear All
      Series Title
  • Reading Level
      Reading Level
      Clear All
      Reading Level
  • Year
      Year
      Clear All
      From:
      -
      To:
  • More Filters
      More Filters
      Clear All
      More Filters
      Content Type
    • Item Type
    • Is Full-Text Available
    • Subject
    • Country Of Publication
    • Publisher
    • Source
    • Target Audience
    • Donor
    • Language
    • Place of Publication
    • Contributors
    • Location
42 result(s) for "AM illustrator"
Sort by:
Global warming and the sweetness of life: a tar stands tale
Seeking new definitions of ecology in the tar sands of northern Alberta and searching for the sweetness of life in the face of planetary crises.Confounded by global warming and in search of an affirmative politics that links ecology with social change, Matt Hern and Am Johal set off on a series of road trips to the tar sands of northern Alberta-perhaps the world's largest industrial site, dedicated to the dirty work of extracting oil from Alberta's vast reserves. Traveling from culturally liberal, self-consciously \"green\" Vancouver, and aware that our well-meaning performances of recycling and climate-justice marching are accompanied by constant driving, flying, heating, and fossil-fuel consumption, Hern and Johal want to talk to people whose lives and fortunes depend on or are imperiled by extraction. They are seeking new definitions of ecology built on a renovated politics of land. Traveling with them is their friend Joe Sacco-infamous journalist and cartoonist, teller of complex stories from Gaza to Paris-who contributes illustrations and insights and a chapter-length comic about the contradictions of life in an oil town. The epic scale of the ecological horror is captured through an series of stunning color photos by award-winning aerial photographer Louis Helbig.Seamlessly combining travelogue, sophisticated political analysis, and ecological theory, speaking both to local residents and to leading scholars, the authors propose a new understanding of ecology that links the domination of the other-than-human world to the domination of humans by humans. They argue that any definition of ecology has to start with decolonization and that confronting global warming requires a politics that speaks to a different way of being in the world-a reconstituted understanding of the sweetness of life.Published with the help of funding from Furthermore: a program of the J. M. Kaplan fund
Thoreau's animals
From Thoreau's renowned Journal, a treasury of memorable, funny, and sharply observed accounts of his encounters with the wild and domestic animals of Concord Many of the most vivid writings in the renowned Journal of Henry David Thoreau concern creatures he came upon when rambling the fields, forests, and wetlands of Concord and nearby communities. A keen and thoughtful observer, he wrote frequently about these animals, always sensitive to their mysteries and deeply appreciative of their beauty and individuality. Whether serenading the perch of Walden Pond with his flute, chasing a loon across the water's surface, observing a battle between black and red ants, or engaging in a battle of wits with his family's runaway pig, Thoreau penned his journal entries with the accuracy of a scientist and the deep spirituality of a transcendentalist and mystic. This volume, like its companion Thoreau's Wildflowers, is arranged by the days of the year, following the progress of the turning seasons. A selection of his original sketchbook drawings is included, along with thirty-five exquisite illustrations by naturalist and artist Debby Cotter Kaspari.