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"Acosta, Carlos, 1973-"
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Pig's foot : a novel
\"Oscar Kortico, great-grandchild of the founders of a small hamlet in the Cuban hinterland, is a sardonic teller of tales--some taller than others--of slavery, revolution, family secrets, love, and identity that span three generations. One day, Oscar wakes to find that he is alone in the world. As the sole descendent of his family line, he is not sure what to do or where to go, but he holds fast to what his grandfather always told him: \"No man knows who he is until he knows hispast, the history of his country.\"As Oscar sets out to find his ancestral village of Pata de Puerco and the meaning of the magical pig's-foot amulet he has inherited, the search for his country's hidden history becomes entangled with the search for the truth about himself.Ambitious in scope, yet intimate in tone, rippling with vitality and driven by passion, full of dark comedy, magical history, and startling revelations, Pig's Foot is a dazzling evocation of Cuba's tumultuous history--a spellbinding and unexpected debut from an author of many talents\"-- Provided by publisher.
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Carlos Acosta's Don Quixote
Carlos Acosta's first venture directing one of ballet's 19th century classics was eagerly anticipated, as was his own starring role in the production (as Basilio), opposite the Argentinian Royal Ballet principal Marianela Nuñez (Kitri). Packed cinemas for the live relay, as well as sold-out houses for his performances, testified to the draw the great Cuban dancer still exerts - and the audiences were not disappointed. Still built on Petipa's original choreography, Acosta's clear dramatic structure and vivid stage action gave the 'boy gets girl despite her father' story a more convincing air than usual, with Don Quixote's parallel obsession with Dulcinea-Kitri coherently woven into the plot. Acosta's and Nuñez's performances were peerless, Tim Hatley's stage designs vivid and apposite, and this production is surely destined to be a perennial Royal Ballet favourite.
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