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"Aloff, Mindy"
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في أهمية الرقص
by
Aloff, Mindy, 1947- مؤلف
,
غني، هناء خليف مترجم
,
Aloff, Mindy, 1947-. Why dance matters
in
الرقص جوانب نفسية
,
الرقص تاريخ
2024
كتاب \"في أهمية الرقص\" لمندي آلوف يستعرض أهمية الرقص كوسيلة للتعبير الفني والثقافي، وكيف يمكن أن يكون جزءا من الهوية الشخصية والجماعية. مندي آلوف يقدم تحليلا عميقا لدور الرقص في المجتمعات المختلفة وكيف يمكن أن يعكس القيم والتقاليد الثقافية. الكتاب يتناول أيضا تأثير الرقص على الصحة النفسية والجسدية، وكيف يمكن أن يكون وسيلة للتواصل والتفاعل الاجتماعي.
Dance Anecdotes
2006
Mindy Aloff, a leading dance critic who has written for The Nation, The New Republic, and The New Yorker, has brought together here a marvelous book of stories by and about dancers--entertaining and informative anecdotes that capture the boundless variety and richness of dance as an art, a tradition, a profession, a pastime, an obsession, a reality, and, for the dancer, an ideal. George Balanchine is here, and so are Fred Astaire, Margot Fonteyn, Rudolf Nureyev, Savion Glover, Martha Graham, and Lola Montez, and also stars from other arts--such as Akira Kurosawa and Bob Dylan--who have spoken about dancing with wit or illumination. There are stories about Irene and Vernon Castle, Cyd Charisse and Gene Kelly, Bob Fosse and Gwen Verdon, Paul Taylor and Mark Morris. We read about the charisma and spontaneity of Anna Pavlova, about the secret to Vaslav Nijinsky’ s success (\"I worked like an ox and I lived like a martyr\"), about George Balanchine racing to a union dispute with a bag of dimes. Many of the stories are amusing, but some are rueful, even sad, and a few are dark. Aloff concludes the volume with an essay about how dancing has been able to record its past, sometimes over centuries, and about how the art of the dancer, apparently as ephemeral in performance as cloud patterns, turns out, when conditions are hospitable, to be much more hardy and resilient than many people suppose. A glorious promenade of stories that stretch as far back as classical times and as far afield as Japan, India, and Java, this superb collection will be treasured by everyone who loves dance, whether young or old.
Dance in America : a reader's anthology
\"From the beginning, American dance has been an exciting fusion of many disparate influences, with European traditions of ballet and social dancing encountering Native American rituals and African American improvisations to create something new and extraordinary. In this landmark collection, dance critic Mindy Aloff brings together an astonishing array of writers--dancers and dance creators, impresarios and critics, and enthusiastic literary observers--to tell the remarkable story of the artistry, innovation, and sheer joy of a great American art form. Here is dance in its many varieties and locales: from tap and swing to ballet and modern dance, from Five Points to Radio City Music Hall, and from the Lindy Hop to Michael Jackson's Moonwalk. With 100 selections spanning three centuries, this is the biggest and best anthology on American dance ever published. Here are the most acclaimed dance critics, including Edwin Denby, Joan Acocella, Lincoln Kirstein, Jill Johnston, and Clive Barnes; the most inventive and influential choreographers and dancers, among them George Balanchine, Merce Cunningham, Paul Taylor, Twyla Tharp, Allegra Kent, and Mikhail Baryshnikov; and a dazzling roster of literary figures, such as Ralph Waldo Emerson, Emily Dickinson, Hart Crane, Edmund Wilson, Langston Hughes, and Susan Sontag. Here too are rare and hard-to-find texts, several previously unpublished, among them Jerome Robbins's reflections on the secret of choreography and an inspiring commencement address from Mark Morris. Brilliant profiles of unforgettable performers--Stuart Hodes on Martha Graham; John Updike on Gene Kelly; Alastair Macaulay on Michael Jackson--join incisive, often deeply personal pieces--Zora Neale Hurston on hoodoo ritual; Arlene Croce on dance in film; Yehuda Hyman on Hasidic dances--to form a one-of-kind reading experience every dance lover will cherish\"-- Dust jacket flap.
The Tastemaker
2008
Lincoln Edward Kirstein (1907-96) spoke of himself as having been born in \"the 107th year of the 19th century.\" Patron of the arts, impresario, polemicist, historian, librettist, bibliophile, editor, poet, novelist, amateur painter and stained-glass maker, and student of the ballet, Kirstein, who was named for Abraham Lincoln, certainly knew his own measure. Kirstein is profiled.
Journal Article
Illuminating Merce Cunningham's Spirited Choreography
2007
For more than half a century, Merce Cunningham's company has been transforming the world of modern choreography. Select writings, films and other materials explain how.
Journal Article