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"Baan, Iwan, 1975-"
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Baku : oil and urbanism
Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union, is the original oil city, with oil and urbanism thoroughly intertwined--economically, politically, and physical--in the city's fabric. Baku saw its first oil boom in the late nineteenth century, driven by the Russian branch of the Nobel family modernizing the oil fields around Baku as local oil barons poured their new wealth into building a cosmopolitan city center. During the Soviet period, Baku became the site of an urban experiment: the shaping of an oil city of socialist man. That project included Neft Dashlari, a city built on trestles in the Caspian Sea and designed to house thousands of workers, schools, shops, gardens, clinics, and cinemas as well as 2,000 oil rigs, pipelines, and collecting stations. Today, as it heads into an uncertain post-oil future, Baku's planners and business elites regard the legacy of its past as a resource that sustains new aspirations and identities. Richly illustrated with historical images and archival material, this book tells the story of the city, paying particular attention to how the disparate spatial logics, knowledge bases, and practices of oil production and urban production intersected, affected, and transformed one another creating an urban cultural environment unique among extraction sites.
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Your glacial expectations
One of the most wide-ranging and ambitious creative minds of his generation, Icelandic-Danish artist Olafur Eliasson has produced a dizzying spectrum of work around the world. Perhaps best known in the United States for his \"upside-down waterfall\" installation in New York, his constant inventiveness and public projects have entranced huge numbers of people. Working in a variety of fields and media, there is no end to his creative ambition and the delight his works elicit. Olafur Eliasson is an artist living and working in Copenhagen and Berlin. His work ranges from installations and sculpture to photography, film, pavilions, and other built environments, and has been exhibited worldwide in institutions such as MoMA, Tate Modern, and the Venice Biennale.
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Deichman Bjørvika = Oslo Public Library : Lundhagem and Atelier Oslo Architects
After lengthy planning, the new public library in Oslo was completed and opened in summer 2020. Located opposite the Opera House and the Munch Museum, the imposing building fits into the ensemble in the new cultural quarter of the Norwegian capital. The project by Lund Hagem Architects and Atelier Oslo emerged from an international architectural competition and is characterized by a radical interpretation of the library as a vivid place to meet and spend time with an impressive multimedia offering in an unobtrusive inviting environment. The publication documents in detail the planning and building process from the first draft to the opening. Essays by the novelist Elif Shafak and the library's long-time director Liv Sæteren explain the significance of the institution as an integrative social force. Niklas Maak pays tribute to the building from the perspective of architectural criticism. Iwan Baan and Hélène Binet capture the architecture and atmosphere of the shining crystal in their photographs.
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