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Propelled by the increasing availability of large-scale high-quality data, advanced data modeling and analysis techniques are enabling many novel and significant scientific understanding of a wide range of complex social, natural, and technological systems. These developments also provide opportunities for studying cultural systems and phenomena--which can be said to refer to all products of human creativity and way of life. An important characteristic of a cultural product is that it does not exist in isolation from others, but forms an intricate web of connections on many levels. In the creation and dissemination of cultural products and artworks in particular, collaboration and communication of ideas play an essential role, which can be captured in the heterogeneous network of the creators and practitioners of art. In this paper we propose novel methods to analyze and uncover meaningful patterns from such a network using the network of western classical musicians constructed from a large-scale comprehensive Compact Disc recordings data. We characterize the complex patterns in the network landscape of collaboration between musicians across multiple scales ranging from the macroscopic to the mesoscopic and microscopic that represent the diversity of cultural styles and the individuality of the artists.

The expanding availability of high-quality, large-scale data from the realm of culture and the arts promises novel opportunities for understanding and harnessing the dynamics of the creation, collaboration, and dissemination processes - fundamentally network phenomena - of artistic works and styles. To this end, in this paper we explore the complex network of western classical composers constructed from a comprehensive CD (Compact Disc) recordings data that represent the centuries-old musical tradition using modern data analysis and modeling techniques. We start with the fundamental properties of the network such as the degree distribution and various centralities, and find how they correlate with composer attributes such as artistic styles and active periods, indicating their significance in the formation and evolution of the network. We also investigate the growth dynamics of the network, identifying superlinear preferential attachment as a major growth mechanism that implies a future of the musical landscape where an increasing concentration of recordings onto highly-recorded composers coexists with the diversity represented by the growth in the sheer number of recorded composers. Our work shows how the network framework married with data can be utilized to advance our understanding of the underlying principles of complexities in cultural systems.

Network science has shown itself to be useful in understanding a complex system by allowing us to unearth novel and intriguing patterns among its components. It is playing a particularly integral role in understanding social systems where collaboration between people is essential. Music is one such domain, as evidenced by how its centuries-old history is filled with intriguing episodes of collaborations between its central personalities and the influences they exerted on one other. In this article, the authors present their findings in the network understanding of the landscape of collaborations in western classical music.

Propelled by the increasing availability of large-scale high-quality data, advanced data modeling and analysis techniques are enabling many novel and significant scientific understanding of a wide range of complex social, natural, and technological systems. These developments also provide opportunities for studying cultural systems and phenomena -- which can be said to refer to all products of human creativity and way of life. An important characteristic of a cultural product is that it does not exist in isolation from others, but forms an intricate web of connections on many levels. In the creation and dissemination of cultural products and artworks in particular, collaboration and communication of ideas play an essential role, which can be captured in the heterogeneous network of the creators and practitioners of art. In this paper we propose novel methods to analyze and uncover meaningful patterns from such a network using the network of western classical musicians constructed from a large-scale comprehensive Compact Disc recordings data. We characterize the complex patterns in the network landscape of collaboration between musicians across multiple scales ranging from the macroscopic to the mesoscopic and microscopic that represent the diversity of cultural styles and the individuality of the artists.