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result(s) for
"Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture"
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Fabricating power with Balinese textiles
by
Mohan, Urmila, associated with work
,
Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, host institution
in
Mead, Margaret, 1901-1978 Art collections Exhibitions.
,
Bateson, Gregory, 1904-1980 Art collections Exhibitions.
,
Textile fabrics Indonesia Bali Island History Exhibitions.
2018
Anthropologists Margaret Mead and Gregory Bateson were pioneers in using visual anthropological techniques to study the aesthetics of bodily motion in Bali. What is less well known is that they also collected textiles, paintings, puppets, and carvings, most of which are collected at the American Museum of Natural History in New York. This book and its accompanying exhibit explore the Mead-Bateson textiles as forms of power.
(Re)dressing American fashion : wear as witness
by
McClendon, Emma, editor
,
Peters, Lauren Downing, editor
,
Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, publisher, host institution
in
Fashion design United States Exhibitions.
2025
A revelatory new approach to understanding fashion in America that focuses on the stories told by worn, imperfect, and ordinary clothes. Expanding the history of American fashion, this volume highlights garments that carry material traces of everyday wearers' bodies, such as stains, rips, tears, mending, and signs of hand-craftsmanship. In-depth examinations of ten case-study objects - ranging from activist Jae Jarrell's Urban Wall Suit (ca. 1969) to an unknown child's pair of sneakers found at a migrant pickup site in the Sonoran Desert (2009-10) - reveal the ways worn objects are witnesses to American history.
Threads of power : lace from the Textilmuseum St. Gallen
\"Threads of Power: Lace from the Textilmuseum St. Gallen' offers a look at one of the world's finest collections of historical lace. It traces the development of European lace from its emergence in the sixteenth century to the present, elucidating its important role in fashion. The book explores the longstanding connections between lace and status, addressing styles in lace worn at royal courts, including Habsburg Spain and Bourbon France, as well as lace worn by the elite ruling classes and Indigenous peoples in the Spanish Americas. Featuring new research, the publication covers a range of topics related to lace production, lace in fashion and portraiture, lace revivals, the mechanization of the lace industries in the nineteenth and twentieth centuries, and contemporary innovations in lace. With a focus on lace techniques, women lace makers, and lace as a signifier of wealth and power, this richly illustrated book includes wide-ranging contributions by curators and experts from major museums and academic institutions\"-- Provided by publisher.