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The politics of feeling : the magazine of new writing
This issue of Granta looks at the ways we feel politically - and asks whether it's possible to feel any other way. When people predicate their politics only on what they feel and can no longer be swayed by expertise, reason or facts, what results would seem the most unfeeling sort of politics. Rage, resentment, hysteria, guilt, shame, all figure highly in our conflicted times, as does the intemperate adoration of popular figures. A Pandora's box of furies has opened up. But if it's too late now to put those furies back, might anything else be done with them? This issue of Granta looks at the ways we feel politically - and asks whether it's possible to feel any other way. Adam Phillips analyses politics in the consulting room, Roxane Gay considers 'unfeeling', Peter Pomerantsev unearths his data profile to conduct sentiment analysis, Margie Orford explores shame in South Africa, Joff Winterhart graphically imagines road rage, Pankaj Mishra reflects on bodily decadence, Josh Cohen inspects his own apathy, Yvonne Adhiambo Owuor witnesses devastation, David Baddiel probes the outrage of life online. With new fiction from Olga Tokarczuk, Ben Markovits, Deborah Levy, Hanif Kureishi and new poetry from Nick Laird and Alissa Quart.
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The Edinburgh Companion to Modern Jewish Fiction
WINNER of the Association of Jewish Libraries' Judaica Reference AwardProvides critical overviews of the main writers and key themes of Anglophone Jewish fiction
This collection of essays represents a new departure for, and a potentially (re)defining moment in, literary Jewish Studies. It is the first volume to bring together 28 chapters covering a wide range of American, British, South African, Canadian and Australian Jewish fiction.
The volume is divided into 3 parts - American Jewish Fiction; British Jewish Fiction; and International and Transnational Anglophone Jewish Fiction - but many of the essays cross over these boundaries and speak to each other implicitly, as well as, on occasion, explicitly. Extending and redefining the canon of modern Jewish fiction, the volume juxtaposes major authors with more marginal figures, revising and recuperating individual reputations, rediscovering forgotten and discovering new work, and in the process remapping the whole terrain. This volume opens windows onto vistas that previously had been obscured and opens doors for the next generation of studies that could not proceed without a wide-ranging, visionary empiricism grounding their work.
Key FeaturesHighlights the rich diversity of the field and identifies its key themes, including immigration, the Diaspora, the Holocaust, Judaism, assimilation, antisemitism and ZionismAnalyses the main trends in Anglophone Jewish fiction and situates them in historical contextDiscusses the place of Anglophone Jewish fiction in relation to critical debates concerning transatlanticism and transnationalism; ethnicity and identity politics; postcolonial studies, feminist studies and Jewish StudiesWith a preface by Mark Shechner, the volume's contributors include Vicki Aarons (Trinity University, Texas), Debra Shostak (Wooster College, Ohio), Ira Nadel (University of British Columbia), Efraim Sicher (Ben-Gurion University), Phyllis Lassner (Northwestern University), Sue Vice (University of Sheffield), Lori Harrison-Kahan (Boston College), Ruth Gilbert (University of Winchester), Beate Neumeier (University of Cologne) and Sandra Singer (University of Guelph)
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