Catalogue Search | MBRL
Search Results Heading
Explore the vast range of titles available.
MBRLSearchResults
-
DisciplineDiscipline
-
Is Peer ReviewedIs Peer Reviewed
-
Series TitleSeries Title
-
Reading LevelReading Level
-
YearFrom:-To:
-
More FiltersMore FiltersContent TypeItem TypeIs Full-Text AvailableSubjectCountry Of PublicationPublisherSourceTarget AudienceDonorLanguagePlace of PublicationContributorsLocation
Done
Filters
Reset
154
result(s) for
"Beaton, Roderick"
Sort by:
Byron's War
2013
Roderick Beaton re-examines Lord Byron's life and writing through the long trajectory of his relationship with Greece. Beginning with the poet's youthful travels in 1809–1811, Beaton traces his years of fame in London and self-imposed exile in Italy, that culminated in the decision to devote himself to the cause of Greek independence. Then comes Byron's dramatic self-transformation, while in Cephalonia, from Romantic rebel to 'new statesman', subordinating himself for the first time to a defined, political cause, in order to begin laying the foundations, during his 'hundred days' at Missolonghi, for a new kind of polity in Europe – that of the nation-state as we know it today. Byron's War draws extensively on Greek historical sources and other unpublished documents to tell an individual story that also offers a new understanding of the significance that Greece had for Byron, and of Byron's contribution to the origin of the present-day Greek state.
The Greeks : a global history
The way we think. The way we learn. The entertainment we seek. The way we are governed. It all began on the mountains and islands of Europe's southeastern edge, more than 3000 years ago. 'The Greeks' is the story of a culture that has contributed more than any other to the way we live now in the West. It is a story that travels the entire globe and four millennia, taking us from the archaeological treasures of the Bronze Age Aegean, myths of gods and heroes, to the politics of the European Union today.
That Greece Might Still Be Free
by
Beaton, Roderick
,
St Clair, William
in
19th century, c 1800 to c 1899
,
Ancient
,
Ancient Greece
2008
When in 1821, the Greeks rose in violent revolution against the rule of the Ottoman Turks, waves of sympathy spread across Western Europe and the United States. More than a thousand volunteers set out to fight for the cause. The Philhellenes, whether they set out to recreate the Athens of Pericles, start a new crusade, or make money out of a war, all felt that Greece had unique claim on the sympathy of the world. As Lord Byron wrote, \"I dreamed that Greece might still be Free\"; and he died at Missolonghi trying to translate that dream into reality. William St Clair's meticulously researched and highly readable account of their aspirations and experiences was hailed as definitive when it was first published. Long out of print, it remains the standard account of the Philhellenic movement and essential reading for any students of the Greek War of Independence, Byron, and European Romanticism. Its relevance to more modern ethnic and religious conflicts is becoming increasingly appreciated by scholars worldwide. This revised edition includes a new introduction by Roderick Beaton, an updated bibliography and many new illustrations.
Music, language and identity in Greece : defining a national art music in the nineteenth and twentieth centuries
by
Tambakaki, Polina, editor
,
Vlagopoulos, Panos, editor
,
Levidou, Ekaterini, 1977- editor
in
Music Greece 19th century History and criticism.
,
Music Greece 20th century History and criticism.
,
Nationalism in music.
2020
\"The national element in music has been the subject of important studies yet the scholarly framework has remained restricted almost exclusively to the field of music studies. This volume brings together experts from different fields (musicology, literary theory, and modern Greek studies), who investigate the links that connect music, language and national identity, focusing on the Greek paradigm. Through the study of the Greek case, the book paves the way for innovative interdisciplinary approaches to the formation of the 'national' in different cultures, shedding new light on ideologies and mechanisms of cultural policies\"-- Provided by publisher.
Modern Greek Studies since 1975: a personal retrospect
2016
In 1975 interest in contemporary Greece in the UK was at its height. The launch of Byzantine and Modern Studies coincided almost exactly with the ‘Greek Month in London’, when venues all over the city simultaneously hosted a series of cultural and academic events that brought together artists, writers, historians, diplomats, Greeks and philhellenes from many walks of life in a month-long celebration. It was advertised on buses and in the Underground. You couldn't miss it. It was so successful that the organizers followed it up a year later with an ‘Islamic Month in London’. That’s how big the contemporary Greek world and its culture were, back then.
Journal Article
POPULAR MUSIC OF THE GREEK WORLD: A NOTE FROM THE ORGANISERS
by
Williams, Chris
,
Kallimopoulou, Eleni
,
Bennet, John
in
Archaeology
,
Conferences
,
Conferences (Gatherings)
2020
In May 2019 the British School at Athens hosted an international conference on popular music of the Greek world. The conference aimed to explore and evaluate the diversity of Greek music apparent in the rich variety of local traditions and in the richness of urban popular music both established and emerging, and to examine its causes from broader musical, sociological and artistic perspectives. Rather than focus on particular forms, such as traditional folk music, rebetika, or the ‘new wave’ of the 1960s exemplified by the international success of composers such as Hadjidakis and Theodorakis, the conference set out to situate these traditions in a broader Greek context and also an explicitly international one, in this way building upon a growing trend (Bucuvalas 2019; Tragaki 2019).
Journal Article
Modern Greek Studies in the United Kingdom: Suggestions for the Future
2006
The future for Modern Greek Studies, with particular reference to the UK, lies in the potential for Neohellenists to position themselves and their subject in relation to the wider intellectual context, both inside and outside the \"academy.\" In this, their US-based colleagues have often proved more adaptable, while usually lacking, on the other hand, the departmental base and developed graduate programs that are the norm in the UK. Contemporary fields of enquiry to which the specialist knowledge and skills of the Neohellenist ought to make a significant contribution include: classical tradition; study of nations and nationalism; modern Balkan history; comparative/world literature; translation studies; historical linguistics and socio-linguistics; film and gender studies. In contexts such as these, Modern Greek Studies can expect to come out of the \"ghetto\" and achieve both visibility and academic integration, without diluting the discipline-based rigor that has a long tradition in British universities.
Journal Article