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"Bloom, Harold, author"
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Macbeth : a dagger of the mind
From the ambitious and mad titular character to his devilish wife Lady Macbeth to the moral and noble Banquo to the mysterious Three Witches, Macbeth is one of William Shakespeare's more brilliantly populated plays and remains among the most widely read, performed in innovative productions set in a vast array of times and locations, from Nazi Germany to Revolutionary Cuba. Macbeth is a distinguished warrior hero, who over the course of the play, transforms into a brutal, murderous villain and pays an extraordinary price for committing an evil act. A man consumed with ambition and self-doubt, Macbeth is one of Shakespeare's most vital meditations on the dangerous corners of the human imagination. Award-winning writer and beloved professor Harold Bloom investigates Macbeth's interiority and unthinkable actions with razor-sharp insight, agility, and compassion. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are seventeen and another when we are forty, Bloom writes about his shifting understanding--over the course of his own lifetime--of this endlessly compelling figure, so that the book also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare's characters make. He delivers that kind of exhilarating intimacy and clarity in Macbeth, the final book in an essential series.
The Anatomy of Influence
2011
\"Literary criticism, as I attempt to practice it,\" writes Harold Bloom inThe Anatomy of Influence, \"is in the first place literary, that is to say, personal and passionate.\"
For more than half a century, Bloom has shared his profound knowledge of the written word with students and readers. In this, his most comprehensive and accessible study of influence, Bloom leads us through the labyrinthine paths which link the writers and critics who have informed and inspired him for so many years. The result is \"a critical self-portrait,\" a sustained meditation on a life lived with and through the great works of the Western canon:Why has influence been my lifelong obsessive concern? Why have certain writers found me and not others? What is the end of a literary life?
Featuring extended analyses of Bloom's most cherished poets-Shakespeare, Whitman, and Crane-as well as inspired appreciations of Emerson, Tennyson, Browning, Yeats, Ashbery, and others,The Anatomy of Influenceadapts Bloom's classic workThe Anxiety of Influenceto show us what great literature is, how it comes to be, and why it matters. Each chapter maps startling new literary connections that suddenly seem inevitable once Bloom has shown us how to listen and to read. A fierce and intimate appreciation of the art of literature on a scale that the author will not again attempt,The
Anatomy of Influencefollows the sublime works it studies, inspiring the reader with a sense of something ever more about to be.
Cleopatra : I am fire and air
by
Bloom, Harold, author
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Bloom, Harold. Shakespeare's personalities
in
Cleopatra, Queen of Egypt, -30 B.C. In literature.
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Shakespeare, William, 1564-1616.
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Shakespeare, William, 1564-1616 Characters.
2017
\"From Harold Bloom, one of the greatest Shakespeare scholars of our time, comes an intimate, wise, deeply compelling portrait of Cleopatra--one of the Bard's most riveting and memorable female characters. Cleopatra is one of the most famous women in history--and thanks to Shakespeare, one of the most intriguing personalities in literature. She is lover of Marc Antony, defender of Egypt, and, perhaps most enduringly, a champion of life. Cleopatra is supremely vexing, tragic, and complex. She has fascinated readers and audiences for centuries and has been played by the greatest actresses of their time, from Elizabeth Taylor to Vivien Leigh to Janet Suzman to Judi Dench. Award-winning writer and beloved professor Harold Bloom writes about Cleopatra with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are in high school and college and another when we are adults, Bloom explains his shifting understanding of Cleopatra over the course of his own lifetime. The book becomes an extraordinarily moving argument for literature as a path to and a measure of our own humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare's characters make. With Cleopatra, he delivers exhilarating clarity and invites us to look at this character as a flawed human who might be living in our world. The result is an invaluable resource from our greatest literary critic.\" -- Publisher's description
The Shadow of a Great Rock
2011
The King James Bible stands at \"the sublime summit of literature in English,\" sharing the honor only with Shakespeare, Harold Bloom contends in the opening pages of this illuminating literary tour. Distilling the insights acquired from a significant portion of his career as a brilliant critic and teacher, he offers readers at last the book he has been writing \"all my long life,\" a magisterial and intimately perceptive reading of the King James Bible as a literary masterpiece.
Bloom calls it an \"inexplicable wonder\" that a rather undistinguished group of writers could bring forth such a magnificent work of literature, and he credits William Tyndale as their fountainhead. Reading the King James Bible alongside Tyndale's Bible, the Geneva Bible, and the original Hebrew and Greek texts, Bloom highlights how the translators and editors improved upon-or, in some cases, diminished-the earlier versions. He invites readers to hear the baroque inventiveness in such sublime books as the Song of Songs, Ecclesiastes, and Job, and alerts us to the echoes of the King James Bible in works from the Romantic period to the present day. Throughout, Bloom makes an impassioned and convincing case for reading the King James Bible as literature, free from dogma and with an appreciation of its enduring aesthetic value.
Falstaff : give me life
by
Bloom, Harold, author
,
Bloom, Harold. Shakespeare's personalities
in
Shakespeare, William, 1564-1616 Characters Falstaff.
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Shakespeare, William, 1564-1616.
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Shakespeare, William, 1564-1616
2017
\"From Harold Bloom, one of the greatest Shakespeare scholars of our time as well as a beloved professor who has taught the Bard for over half a century, an intimate, wise, deeply compelling portrait of Falstaff--Shakespeare's greatest enduring and complex comedic character. Falstaff is both a comic and tragic central protagonist in Shakespeare's three Henry plays: Henry IV, Parts One and Two, and Henry V. He is companion to Prince Hal (the future Henry V), who loves him, goads, him, teases him, indulges his vast appetites, and commits all sorts of mischief with him--some innocent, some cruel. Falstaff can be lewd, funny, careless of others, a bad creditor, an unreliable friend, and in the end, devastatingly reckless in his presumption of loyalty from the new King. Award-winning author and beloved professor Harold Bloom writes about Falstaff with the deepest compassion and sympathy and also with unerring wisdom. He uses the relationship between Falstaff and Hal to explore the devastation of severed bonds and the heartbreak of betrayal. Just as we encounter one type of Anna Karenina or Jay Gatsby when we are young adults and another when we are middle-aged, Bloom writes about his own shifting understanding of Falstaff over the course of his lifetime. Ultimately we come away with a deeper appreciation of this profoundly complex character, and the book as a whole becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare's characters make. He delivers that kind of exhilarating intimacy and clarity in Falstaff, inviting us to look at a character as a flawed human who might live in our world. The result is deeply intimate and utterly compelling.\" -- Publisher's description
The Daemon Knows
by
Bloom, Harold
in
American literature
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American literature -- History and criticism
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American literature in English
2015
Celebrated American literary critic Harold Bloom turns his attention to the writers of his own national literary tradition, from Walt Whitman and Herman Melville to William Faulkner and Hart Crane. The distillation of a lifetime of criticism, it is one of Bloom's most profoundly personal books to date.
Ruin the Sacred Truths
Harold Bloom surveys with majestic view the
literature of the West from the Old Testament to Samuel Beckett. He
provocatively rereads the Yahwist (or J) writer, Jeremiah, Job,
Jonah, the Iliad , the Aeneid , Dante's Divine
Comedy , Hamlet , King Lear , Othello ,
the Henry IV plays, Paradise Lost , Blake's
Milton , Wordsworth's Prelude , and works by Freud,
Kafka, and Beckett. In so doing, he uncovers the truth that all our
attempts to call any strong work more sacred than another are
merely political and social formulations. This is criticism at its
best.