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Seeing ourselves : women's self-portraits
This richly diverse exploration of female artists and self-portraits is a brilliant and poignant demonstration of originality in works of haunting variety. The two earliest self-portraits come from 12th-century illuminated manuscripts in which nuns gaze at us across eight centuries. In 16th-century Italy, Sofonisba Anguissola paints one of the longest series of self-portraits, spanning adolescence to old age. In 17th-century Holland, Judith Leyster shows herself at the easel as a relaxed, self-assured professional. In the 18th century, artists from Elisabeth Vigee-Lebrun to Angelica Kauffman express both passion for their craft and the idea of femininity; and in the 19th the salons and art schools at last open their doors to a host of talented women artists, including Berthe Morisot, ushering in a new and resonant self-confidence. The modern period demolishes taboos: Alice Neel painting herself nude at eighty, Frida Kahlo rendering physical pain, Cindy Sherman exploring identity, Marlene Dumas dispensing with all boundaries. The full verve of Frances Borzello's enthralling text, and the hypnotic intensity of the accompanying self-portraits, is revealed to the full in a completely revised edition of this inspiring book.
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A world of our own : women artists against the odds
Women have always practised as artists, but for centuries the art world considered them mere dilettantes. Their work was derided as second-rate and they were considered intruders in a male profession. This study examines how, against the odds, they overcame these difficulties and shifts the focus away from women artists as 'victims' to give an account of how they actually practised their art. This stirring account documents the centuries-long struggle of gifted women who confronted the exclusionary tactics of a male-dominated art establishment but pressed ahead undaunted to gain acceptance as sought-after professionals. Frances Borzello takes readers deep into the restricted world of women artists of the past, showing how diligently they trained themselves, set up studios, and pursued sympathetic patrons.
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