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"Brown, John Russell"
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Studying Shakespeare in performance
\"John Russell Brown is arguably the most influential scholar in the field of Shakespeare in performance. This collection brings together, and makes accessible, his most important writing across the last 40 years. Together these essays provide an authoritative and engaging account of how to study Shakespeare's plays as texts for performance\"-- Provided by publisher.
The Routledge Companion to Actors' Shakespeare
2012,2011
The Routledge Companion to Actors' Shakespeare is a window onto how today's actors contribute to the continuing life and relevance of Shakespeare's plays.
The process of acting is notoriously hard to document, but this volume reaches behind famous performances to examine the actors' craft, their development and how they engage with playtexts. Each chapter relies upon privilieged access to its subject to offer an unparalleled insight into contemporary practice.
This volume explores the techniques, interpretive approaches and performance styles of the following actors:
Simon Russell Beale, Sinead Cusack, Judi Dench, Kate Duchene, Colm Feore, Mariah Gale, John Harrell, Greg Hicks, Rory Kinnear, Kevin Kline, Adrian Lester, Marcelo Magni, Ian McKellen, Patrice Naiambana, Vanessa Redgrave, Piotr Semak, Anthony Sher, Jonathan Slinger, Kate Valk, Harriet Walter
This twin volume to The Routledge Companion to Directors' Shakespeare is an essential work for both actors and students of Shakespeare.
King Lear
by
Brown, John Russell
in
Shakespeare, William, 1564-1616.
,
Shakespeare, William, 1564-1616. Criticism, Textual.
,
Shakespeare, William, 1564-1616 Stage history.
2009
\"An introductory guide to King Lear in performance offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of film and TV adaptations, a sampling of critical opinion and annotated further reading\"--Provided by publisher.
New Sites For Shakespeare
2013,1999,1998
In the course of exploring the theatrical cultures of South and East Asia, eminent Shakespeareanist John Russell Brown developed some remarkable theories about the nature of performance, the state of Western 'Theatre' today, and the future potential of Shakespeare's plays. In New Sites for Shakespeare he outlines his passionate belief in the power of theatre to reach mass audiences, based on his experiences of popular Asian performances. It is a personal polemic, but it is also a carefully argued and brilliantly persuasive study of the kind of theatrical experience Shakespeare's own contemporaries enjoyed. This is a book which cannot be ignored by anyone who cares about the live performing arts today. Separate chapters consider staging, acting, improvisation, ceremonies and ritual, and an analysis of the experience of the audience is paramount throughout.
Shakespeare and His Comedies
2005,2013,2004
First published in 1957. This edition reprints the second edition of 1962.The originality, vitality and variety of Shakespeare's comedies do not suggest a writer at ease with a formula which works to his own satisfaction and the pleasure of his audience; against first impressions they suggest an artist seeking to express an idea which is always eluding a completely developed presentation. The second edition of this book contains an extensive new chapter on Pericles, Cymbeline, The Winter's Tale and The Tempest.
Focus on Macbeth
1982,2013,2004
First published in 1982. Macbeth exercises a strange influence over readers and theatre audiences: the words of the text offer no easy clue to meaning or significance and in dramatic structure the play is very different from other Shakespearean tragedies. Many kinds of study are needed in order to understand the tragedy of Macbeth and this book provides a wide range of studies that respect the individuality of the text and examine it from different viewpoints. Contents include: Themes and Structure; Characterization and Narrative, Visual Effects, Performance in the Eighteenth, Nineteenth and Twentieth Centuries; Historical and Political Background; Role of Witchcraft; Game Theory. Contributors include: John Russell Brown, Derek Russell Davis, Gareth Lloyd Evans, R A Foakes, Michael Goldman, Robin Grove, Peter Hall, Michael Hawkins, Brian Morris, D J Palmer, Marvin Rosenberg and Peter Stallybrass.
Shakespeare Closely Read
2011
Shakespeare Closely Read is a collection of essays by Shakespearean scholars, all of which were originally papers presented at the 2008 International Shakespeare Conference at Stratford-upon-Avon. Each contains a close reading of Shakespearean or other Elizabethan dramatic texts in an effort to open up new meanings and interpretations. The volume contains an introduction by the editor on the history of close reading and its place in contemporary critical theory and practice.