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The genres of Renaissance tragedy
This collection of newly commissioned essays explores the extraordinary versatility of Renaissance tragedy and shows how it enables exploration of issues ranging from gender to race to religious conflict, as well as providing us with some of the earliest dramatic representations of the lives of ordinary Englishmen and women. The book mixes perspectives from emerging scholars with those of established ones and offers the first systematic examination of the full range and versatility of Renaissance tragedy as a literary genre. It works by case study, so that each chapter offers not only a definition of a particular kind of Renaissance tragedy but also new research into a particularly noteworthy or influential example of that genre.
The genres of Renaissance tragedy
by
Cadman, Daniel
,
Duxfield, Andrew
,
Hopkins, Lisa
in
ART / Techniques / General
,
English drama
,
English drama (Tragedy)
2026,2019,2023
This collection of essays explores tragedy, the most versatile of Renaissance literary genres, revealing its astonishing thematic, stylistic and emotional range. Each chapter consists of a case study, offering not only a definition of a particular kind of Renaissance tragedy but also new research into an important example of that genre. There is only one chapter on Shakespeare; instead contributors attend to subgenres of tragedy – biblical tragedy and closet drama, for example – in which Shakespeare did not engage and others in which the nature of his influence is interrogated, producing original critical readings of individual plays which show how interventions in these subgenres can be mapped onto debates surrounding numerous important issues, including national identity, the nature of divine authority, early modern youth culture, gender and ethics, as well as questions relating to sovereignty and political intervention. The chapters also highlight the rich range of styles adopted by the early modern tragic dramatists and show how opportunely the genre as a whole is positioned for speaking truth to power. Collectively, these essays reassess the various sub-genres of Renaissance tragedy in ways which respond to the radical changes that have affected the critical landscape over the last few decades.