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Cain cites that the Rossetti generation sparked a revolution in art, love and life. She shares that drawing on the past, they created a new art form which crossed creative disciplines and the fine line between art and life. She also mentions that to think of the Rossettis is to think of Dante Gabriel, the sensuality of his paintings, their potent symbolism, the stories they tell. Further, she doesn't think of him as much as she thinks of his sister Christina, his wife Elizabeth Siddal and the other women who modelled for him, such as Jane Morris, Fanny Cornforth and Alexa Wilding.