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"Campe, Rüdiger, author"
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The game of probability : literature and calculation from Pascal to Kleist
2012,2013,2020
There exist literary histories of probability and scientific histories of probability, but it has generally been thought that the two did not meet. Campe begs to differ. Mathematical probability, he argues, took over the role of the old probability of poets, orators, and logicians, albeit in scientific terms. Indeed, mathematical probability would not even have been possible without the other probability, whose roots lay in classical antiquity.
The Game of Probability revisits the seventeenth and eighteenth-century \"probabilistic revolution,\" providing a history of the relations between mathematical and rhetorical techniques, between the scientific and the aesthetic. This was a revolution that overthrew the \"order of things,\" notably the way that science and art positioned themselves with respect to reality, and its participants included a wide variety of people from as many walks of life. Campe devotes chapters to them in turn. Focusing on the interpretation of games of chance as the model for probability and on the reinterpretation of aesthetic form as verisimilitude (a critical question for theoreticians of that new literary genre, the novel), the scope alone of Campe's book argues for probability's crucial role in the constitution of modernity.
Rethinking Emotion
by
Rüdiger Campe, Julia Weber, Rüdiger Campe, Julia Weber
in
Affekt/i.d. Literatur
,
Civilization
,
Cognitive Sciences
2014
What are emotions, where do they originate and how are they brought into being? While from antiquity to early modernity, affects or passions were mostly conceived of as external physiological forces which act upon a passive subject, modern conceptions generally locate emotions within the subject. Drawing on the dichotomy of \"interiority / exteriority\" as a complex interdependent relationship, they mostly envision emotions as interior processes. Contemporary conceptions of emotion from such different fields as human geography, art history and cognitive sciences recently started to challenge this notion of internal emotions by developing alternative descriptions of externalized emotion.
This book reevaluates premodern, modern and contemporary conceptions of affects, passions and emotion by analyzing various historical manifestations of the discourse on emotion. Unlike most previous research, which ? especially in the German tradition ? often focused exclusively on the rise of the modern (Romantic) interiority without paying attention to the underlying dichotomy of \"interiority / exteriority\", this study aims to explore the historical preconditions, the internal logic and the possible shortcomings that inform our thinking on emotion.
The Technological Introject
by
Pfannkuchen, Antje
,
Ronell, Avital
,
Champlin, Jeffrey
in
Cinema & Media Studies
,
critical media epistemology
,
Cultural Techniques
2018,2020
The Technological Introject explores the futures opened up across the humanities and social sciences by the influential media theorist Friedrich Kittler. Joining the German tradition of media studies and systems theory to the Franco-American theoretical tradition marked by poststructuralism, Kittler's work has redrawn the boundaries of disciplines and of scholarly traditions.
The contributors position Kittler in relation to Marshall McLuhan, Jacques Derrida, discourse analysis, film theory, and psychoanalysis. Ultimately, the book shows the continuing relevance of the often uncomfortable questions Kittler opened up about the cultural production and its technological entanglements.