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Shakespeare and the digital world : redefining scholarship and practice
\"Due to the unique cultural capital of his works, Shakespeare has long been the test subject for new methods and digital advances in arts scholarship. Shakespeare sits at the forefront of the digital humanities - in archiving, teaching, performance and editing - impacting on scholars, theatres and professional organisations alike. The pace at which new technologies have developed is unprecedented (and the pressure to keep up is only growing). This book offers seventeen new essays that assess the opportunities and pitfalls presented by the twenty-first century for the ongoing exploration of Shakespeare. Through contributions from a broad range of scholars and practitioners, including case studies from those working in the field, the collection engages with the impact of the digital revolution on Shakespeare studies. By assessing and mediating this sometimes controversial digital technology, the book is relevant to those interested in the digital humanities as well as to Shakespeare scholars and enthusiasts\"-- Provided by publisher.
Book
SHAKESPEARE AND THE MODERN STAGE
In addressing Shakespeare on stage in the twentieth and twenty-first centuries I face the two opposing dangers of providing too much coherence, on the one hand, and too little, on the other. It seems sensible therefore to try to trace three narrative strands that have largely determined our current vision of events, outlining the engagement with a Shakespeare who, in his theatrical manifestations, has become subject to a bewildering spectrum of new interpretive practices. Rather than an exhaustive account of Shakespeare on stage during these two centuries, this essay will try to connect, question and extend existing partial pictures of
Book Chapter
Lepage, Robert (12 Dec. 1957)
(b. Quebec City, 12 Dec. 1957)
Actor, director. Lepage grew up in a house which revolved
Reference